‘Ord&Bild’ thinks long-term about Europe; ‘New Humanist’ laments New Atheism’s irrationalist legacy; ‘Mittelweg 36’ explores new directions in the sociology of violence; ‘L’Homme’ reads historical case studies of ecstatics and intersexuals; and ‘Revista Crítica’ looks back at Afro-Yugoslav film and post-colonial solidarities.
‘Blätter’ says don’t blame the Eurocrats; ‘Letras Libres’ considers the crisis of authority; ‘Springerin’ conceptualizes the backlash; ‘New Eastern Europe’ sees work ahead for the European Partnership; and ‘Cogito’ reads the ‘Epic of Gilgamesh’ to understand planetary catastrophe.
‘O’r Pedwar Gwynt’ finds its place; ‘Wespennest’ claims climate for culture; ‘Krytyka’ appeals for constitutional democracy; ‘Osteuropa’ debates elitism and protest; and ‘Soundings’ critiques #MeToo.
In Osteuropa, Ilya Kalinin describes a political conflict in Russia familiar in the West: one between liberal ‘elites’ and anti-liberal ‘left-behinds’. Like many western critics of neoliberalism, his approach begins with the elites rather than their opponents.
‘Il Mulino’ calls on all Europeans; ‘Dublin Review of Books’ advocates a clean break; ‘Esprit’ hears first hand from whistle-blowers; ‘Index on Censorship’ reports on local news worldwide; and ‘Revolver Revue’ talks about the things that cannot be forgiven.
‘Merkur’ publishes an alternative explanation of eastern Europe; ‘Vikerkaar’ excavates the Estonian everyday; ‘Kultūros barai’ says the Soviet past belongs to Lithuania; ‘New Humanist’ discusses nationalisms, antibiotics and health apps; and ‘Atlas’ disapproves of cultural snobbery and the return of cynicism.
‘Blätter’ answers the critics of Fridays for Future; ‘La Revue Nouvelle’ puts forward a trade unionism 2.1; ‘New Eastern Europe’ debates geopolitics after ’89; ‘Letras Libres’ asks what Europe has done for us; ‘Arche’ remembers the life and works of a forgotten Belarusian sculptor; ‘Ord&Bild’ gets into sci-fi; and Host explains why Czech literature in translation shouldn’t be ‘too Czech’.
‘Osteuropa’ compares degrees of toxicity in Russia and Turkey; ‘Varlık’ debates post-Kemalism; ‘Czas Kultury’ explores Poland’s male retrotopias: ‘Esprit’ learns from the black sheep of Europe; ‘Il Mulino’ catches up with Italy’s diaspora; and ‘Rigas Laiks’ talks mad philosophers, linguaphiles and stray dogs.
‘Esprit’ re-reads Claude Lefort on disquieted democracy; ‘Mittelweg 36’ analyses authority and its opponents; ‘Merkur’ fears for German parliamentarism; ‘dérive’ surveys the urbanist precursors of 1968; and ‘Vagant’ considers nostalgic Russians and melancholy Norwegians.
‘L’Espill’ asks whether democracy would be better off without the EU; ‘Ord&Bild’ re-reads China’s Cultural Revolution; ‘Syn og Segn’ seeks sustainable solutions for Norwegian architecture; ‘Vikerkaar’ explores credit and debt beyond economics; ‘Res Publica Nowa’ discusses the parlous state of Polish NGOs; and ‘Symbol’ talks to Javier Cercas about the novel.
‘New Eastern Europe’ reflects on public intellectuals; ‘Letras Libres’ portrays Mexico’s new historian-president; ‘Osteuropa’ warns of confessional polarization in Ukraine; ‘Index on Censorship’ reports on birthing regimes and reproductive rights; ‘Esprit’ is cautious of the campaign against post-truth; and ‘Revue Projet’ forms new critiques of consumerism.
‘Blätter’ features Richard Sennett on open and closed cities; ‘Soundings’ analyses Britain’s Churchill complex; ‘La Revue nouvelle’ discusses Belgium’s buried history of WWI; ‘L’Homme’ fills gender gaps in centennial historiography; ‘Glänta’ considers truth, truths and modern lies; ‘il Mulino’ looks at perceptions and realities in Italy; and ‘New Humanist’ confronts scientific dogmas, phobias and prejudices.
‘Revista Crítica’ marks forty years of interdisciplinary publishing; ‘Host’ talks about organized corruption and interference in the arts; ‘Index on Censorship’ profiles global journalism in the age of unreason; ‘New Eastern Europe’ explores the ambiguities of 1918; ‘Akadeemia’ appeals for concord and constitutionalism; ‘Esprit’ contemplates a Europe without Christianity; and ‘Springerin’ reflects on paradoxes of progress.
‘Wespennest’ offers help; ‘Vikerkaar’ gets bored; ‘Critique & Humanism’ examines the narrative of Russian meddling; ‘2000’ remembers the ’68 that never was; and ‘Multitudes’ discusses blockchain and the end of capitalism.
‘Merkur’ slaughters some holy cows; ‘Mittelweg 36’ charts the grey zone of sexual violence; ‘Revista Crítica’ discusses calcio and the history of fascism; ‘Ny Tid’ tells of tinned fruit and the Weltschmerz of Generation Y; and ‘New Humanist’ says don’t #DeleteFacebook.
‘Osteuropa’ places Hungary and Poland under the knife; ‘Soundings’ says ’68 wasn’t to blame for what came next; ‘Glänta’ notes similarities, differences and things in between; ‘Samtiden’ returns to #MeToo; and ‘Varlik’ celebrates 85 years of cultural journalism.