Democracy is being denied by the EU’s leaders. At fault are not ‘Brussels bureaucrats’ but the member states and their representatives. Lack of transparency makes legislation vulnerable to lobbying and enables national interests to be put before the European common good. Preventing Eurosceptic reaction means democratizing the European legislature.
‘Blätter’ says don’t blame the Eurocrats; ‘Letras Libres’ considers the crisis of authority; ‘Springerin’ conceptualizes the backlash; ‘New Eastern Europe’ sees work ahead for the European Partnership; and ‘Cogito’ reads the ‘Epic of Gilgamesh’ to understand planetary catastrophe.
Neoliberal feminism is criticized for its disregard for structural inequalities and thus for failing women most susceptible to violence. But in a society like Nigeria’s, where lack of financial opportunity has fostered an entrepreneurial mindset, and where distrust of western feminism is culturally entrenched, neoliberal feminism may be women’s best option.
Fidesz actively denies any Hungarian responsibility for WWII and the Holocaust, projecting itself as a healer of imperial wounds from a hundred years ago. In Poland, PiS goes even further by taking credit for all resistance towards both the Nazi and the Soviet regimes. In both cases, the abuse of history for national glorification revives the culture wars of the past.
It is not by lying, but by being caught lying, that the politician of today can claim to be challenging the status quo. Why the modern political lie, as defined by Hannah Arendt, now functions only as a deconstruction of itself.
The European Union was originally the creation of failed or failing European empires, even if it now tends to pose as an assembly of innocent little nation states. Facing up to the responsibility for half a millennium of imperialism is painful, but doing so would allow Europe to recognize its unique and auspicious recovery from empire, argues Timothy Snyder in the speech he delivered for Europe Day 2019 at Judenplatz, Vienna.
Francis Fukuyama’s argument that far-right identity politics were pioneered by the left has been criticized as blame-shifting. But this is a partial reading, he counters: identity politics are inherent to the democratic ethos and rooted in modernity itself. Understanding their use by the far-right enables us to form a response.
‘Blätter’ says don’t blame the Eurocrats; ‘Letras Libres’ considers the crisis of authority; ‘Springerin’ conceptualizes the backlash; ‘New Eastern Europe’ sees work ahead for the European Partnership; and ‘Cogito’ reads the ‘Epic of Gilgamesh’ to understand planetary catastrophe.
‘O’r Pedwar Gwynt’ finds its place; ‘Wespennest’ claims climate for culture; ‘Krytyka’ appeals for constitutional democracy; ‘Osteuropa’ debates elitism and protest; and ‘Soundings’ critiques #MeToo.
‘Il Mulino’ calls on all Europeans; ‘Dublin Review of Books’ advocates a clean break; ‘Esprit’ hears first hand from whistle-blowers; ‘Index on Censorship’ reports on local news worldwide; and ‘Revolver Revue’ talks about the things that cannot be forgiven.
When the Cold War came to a sudden end thirty years ago, the two halves of Europe declared in unison their intention to overcome the legacy of the division. Today, the hopes and ambitions of those heady days can be viewed as unrealistic at best. But is talk of a new East–West divide justified? A new Eurozine focal point asks what happened to ’89 in the intervening years.
Internet technologies are being used in ways that raise far-reaching questions about the resilience and sustainability of democratic systems. And they have fundamentally impacted on understandings of the political, transforming democracies from within.
Cultural journals have played a crucial role in the formation of the public spheres in Europe and beyond. Looking at their history helps understand where they are headed. A Eurozine focal point in collaboration with the Working Group on Periodicals Research.
Fake news has become big news. Post-truth is the new paradigm. Respect for facticity is becoming, by all accounts, a commercial anachronism. And behind it all, the spectre of an illiberal international waging ‘info-war’ against western democracies.
Eurozine monitors upcoming funding opportunities on the international level relevant to cultural journalists, such as translation funds, mobility grants and project funding.
