What started thirty-five years ago as an informal meeting of European editors became the basis for Eurozine, founded in 1998 as an online cultural journal and editorial network. One of Eurozine’s original goals – to offer print journals a gateway to digital publishing – has long been realized. Another goal, however, remains a work in progress: to act as a plural forum for transnational European debate. Two of Eurozine’s founding editors reflect on the evolution of the project.
Europe’s leading cultural magazines at your fingertips
For Oksana Forostyna, memories of Maidan mingle with accounts of her grandmother’s life in Kyiv before and during World War Two. Recollections of her own search for happiness in her adoptive city lead to more universal questions about the possibility of freedom and love amidst conflict and war.
Review
‘Merkur’ slaughters some holy cows; ‘Mittelweg 36’ charts the grey zone of sexual violence; ‘Revista Crítica’ discusses calcio and the history of fascism; ‘Ny Tid’ tells of tinned fruit and the Weltschmerz of Generation Y; and ‘New Humanist’ says don’t #DeleteFacebook.
‘Osteuropa’ places Hungary and Poland under the knife; ‘Soundings’ says ’68 wasn’t to blame for what came next; ‘Glänta’ notes similarities, differences and things in between; ‘Samtiden’ returns to #MeToo; and ‘Varlik’ celebrates 85 years of cultural journalism.
‘Blätter’ comments on Merkel’s reversals; ‘Dialogi’ reacts to the illiberal axis; ‘Mittelweg 36′ theorizes border figures; ‘Czas Kultury’ plots genealogies of ’68; and ‘Index on Censorship’ detects trouble in paradise.
