Glass breaking and balalaikas: Hollywood has traditionally portrayed the Tsarist and Soviet Empires as ethnically homogenous, culturally uniform and exclusively Russian speaking. This unjust image lives on and reaffirms the imperial narrative behind the invasion of Ukraine.
Articles
Excruciating pain and paralytic numbness alternate in an inhuman rhythm. As Ukrainian artists struggle to overcome exhausted tropes of warfare and martyrdom, others consider what it will take the perpetrators to justice. But moral reckoning is an even more complicated business.
The many names of Chernovtsy in Ukraine attest to the tumultuous military and political history of Europe, borne out in cultural and linguistic competition, conflict and compromise in literature, music and art. What traces of this past can still be seen in the city today?
Initial COVID-19 lockdowns seemed like a gift to nature. But less traffic and fewer industrial emissions soon turned into increased car use from social distancing and new levels of plastic consumption. Why are pre-pandemic values, encouraging lower consumption, at odds with staying healthy?
Recommended topics
Defined by silence
The Ukrainian art that was destroyed – and the art that never happened
Ukrainian artists are struggling to invent a new language to express their experience of the war, one that goes beyond tropes and commonplaces. Some of them frantically document, others reflect in hurried sketches while on the run with their kids. Many artists don’t create at all – they are on the frontlines.
Lacking a positive national identity, Russians continue to be governed by a dangerous imperial mindset that betrays both subservience and aggression. Putin has cynically built on this dubious foundation.
The Soviet legacy of rape and denial
The crimes of Bucha have a long history
The use of rape as a weapon of war is not new. The army that terrorizes civilians and targets women today in Ukraine is the same one that has never had to reckon with its own horrific World War II crimes.
The egregious crimes against Ukraine’s civilian population might just be too much for the International Criminal Court to handle. Not only does it lack resources but it also doesn’t have jurisdiction over the crime of aggression – in part due to the position of its most influential member states and the Trump administration’s staunch opposition.
Eurozine review
In defence of Günter Wallraff
Merkur 2/2022
In ‘Merkur’: why Günter Wallraff’s 1985 bestseller ‘The Lowest of the Low’ appears scandalous by the standards of today’s racial justice discourse – but remains absolutely worth reading for its searing analysis of the exploitation of labour in wealthy democracies.
Dim prospects for European stability
New Eastern Europe 1–2/2022
In ‘New Eastern Europe’: why the West should not be fooled by Russia’s Cold War revivalism; whether Ukraine can turn the tables; and where now after the ruins of Ostpolitik?
Lotman’s signs
Akadeemia 2/2022
‘Akadeemia’ applies Lotmanian semiotics to today’s societal concerns. Including a holistic view of digital fragmentation, integrating ecology into the cultural sphere and creatively rethinking educational practices.
Focal points
With new variants mutating around the globe, COVID-19 is no longer a novelty. The pathogen is seemingly here to stay, inducing social, political and economic turmoil. This is not a crisis to emerge from quickly. It is a prelude to further emergencies linked to climate change-related transformations and environmental destruction. How will societies deal with its tangible effects? And which issues might be perilously left by the wayside? In this new focal point, supported by the European Cultural Foundation’s Culture of Solidarity programme, Eurozine and partners take stock of this public health crisis and its accompanying crises of values and meaning.
Traditionally, a young woman used to be presented with a bundle of goods to send her off with to adult life. Today’s bottom drawers aren’t necessarily tied to marriages, nor are they strictly material. Yet, the bundle one leaves the house with is as important as ever. In this focal point, we take stock of the notions our foremothers presented us with: women’s ideas and achievements that define our understanding of power, gender and violence, bodies, connection and agency.
The focal point presents the findings of the project ‘Eurasia in Global Dialogue’ being carried out at the Institute for Human Sciences, Vienna (IWM). The focal point is an extension of the earlier focal point, ‘Russia in Global Dialogue’ that ran in Eurozine and at the IWM from 2012–2018.
Post-revolutionary Ukrainian society displays a unique mix of hope, enthusiasm, social creativity, collective trauma of war, radicalism and disillusionment. With the Maidan becoming history, the focal point ‘Ukraine in European Dialogue’ explores the new challenges facing the young democracy, its place in Europe, and the lessons it might offer for the future of the European project.
Eurozine Network
Eurozine monitors upcoming funding opportunities on the international level relevant to cultural journalists, such as translation funds, mobility grants and project funding.