Essays | Eurozine

The feminist cause is the cause of civilization and, at the same time, is now a cultural trend, writes Aloma Rodríguez. She calls on us to embrace its heterogeneity: there is – and should be – room for many different points of view to co-exist.

Oleg Sentsov’s hunger strike has reached a critical stage. Sentsov is calling for the release of all Ukrainians imprisoned in Russia on political grounds. The human rights initiative OVD-Info, in collaboration with the Memorial Centre, has compiled documentation on the 88 prisoners, most of whom are from Crimea.

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Critique of social media tends to focus on the content of online discourse, particularly the impacts of fake news and hate speech. But how do social media platforms themselves determine interaction, and how can users adapt to default functionalities in the interests of constructive debate?

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The ties between liberalism and democracy are under strain, challenged by self-styled illiberal ideologues from Budapest to Washington DC, and by the liberal-economic but undemocratic example of China. Romanian economist Daniel Dăianu makes the case for liberalism, and why it is worth fighting for if democracy is to thrive.

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Germany’s altered party landscape is the culmination of the misfit between political centrism and the national-conservative groundswell catalysed by the refugee wave of 2015–16. Not only does the AfD pose major challenges to the other parties, it throws up uncomfortable questions about the role of the media in the dynamics of polarization.

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Struggle in the street was combined with otherworldly utopias in the low budget, small circulation architectural magazines of the 1960s and 1970s. Free of the constraints of finance and convention, the genre served as an international platform for experimental design and discourse and was instrumental in the progress of architectural modernity.

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Ord&Bild, Sweden’s oldest cultural journal, first appeared in 1892. Speaking at the 125th anniversary event in Gothenburg on 4 November 2017, long-time contributor Sven-Eric Liedman recalls Ord&Bild’s programme and personnel between the counter-cultural revolution of the 60s and the neoliberal revolution of the 1980s.

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