Long spared the experiences of Paris, Brussels, London and Berlin, it had been tempting to consider Vienna exempt. This was partly because IS had treated Austria as a safe haven rather than a target. But part of it was an unwillingness to look too closely.
The more publicly governments articulate their difficulties in controlling the pandemic, the greater its democratic potential, argues Axel Honneth. But if people conclude that government measures have been unjustified, the result will be even greater distrust in democratic decision-making.
From confrontation to subversion: on the evolution of protest culture in Belarus from the mid-1990s to the present. Ingo Petz highlights the key artists, bands and cultural organizations that have gone into shaping the protests of 2020 and the specific forms of solidarity and resistance that define them.
Covid has flooded our lives with online encounters and interactions. We work, minding our image on screen, or struggle to socialise in a hall of mirrors. Geert Lovink considers what we have lost and how we can reclaim our bodies, relationships and shared physical spaces.
Africa is like a primed powder-keg, subject to internal and external forces that inscribe and determine its future, writes Cameroonian philosopher Jean Godefroy Bidima. Cutting the fuse will require self-reflection. Only then can Africa act in its own interests and those of the wider human family.
A defining debate of the political moment? Or liberal hairsplitting? Eurozine talks to James Miller, editor of Public Seminar, about what we mean when we talk of fascism – and whether it makes any difference anyway.
How can intense description of what is irreducibly particular help us to extract elements that are universal? Parallels between the child separations at the US–Mexico border and the experiences of Holocaust survivors prompt historian Marci Shore to ask what we can and cannot understand by thinking in comparisons with the past.
The success of the French Popular Front lay in its ability to form a broad coalition on the left and to reach strata of the population traditionally ignored by communist parties. This is a lesson that antifascists today could do well to learn.
Coronavirus has collapsed powerful imaginaries of globalization: a generation raised with the promise of knowledge and mobility is stuck and without a clue. Thus we search for names and images to tame the uncertainty.
Does ‘counter-violence’ damage the antifascist cause? Or is it delusory to talk about non-violence in the face of an opponent with no such scruples? Natasha Lennard explains to James Miller why antifascism rejects debate as an effective response to the fascist threat.
Was it foolish to expect Europe to unite after the Iron Curtain fell? What kept the wounds from healing? Talking the post-Communist heritage in Gagarin, the Eurozine podcast.
‘Fascism’ has entered America’s political lexicon as way to understand and oppose the rise of the far-right. Trump’s polemics against the left have also propelled the label ‘antifascism’ into the mainstream. But are we really seeing a US fascism? What baggage does the concept of ‘antifascism’ carry? And what are we doing when we invoke Weimar?
There are various reasons why it is politically expedient to call Trump a fascist, but doing so clouds our judgement about the kind of authoritarianism he represents. Trump’s encouragement of ethnic antagonism is typical of far-right populism globally and will endure in the US beyond his presidency.
Corporate capture of the media by the state is not just an eastern European speciality, nor does it take place in an economic vacuum. The 31st European Meeting of Cultural Journals will be focusing on how political interference and market pressure are threatening independent publishing in Europe today.
If, like Miriam Rasch, you want to resist seamless dataism and de-automate your life, why not take a look at her recommended reading from the Eurozine archive spanning articles from the politics of digitization to poetry’s ability to creatively engage with fragmentation.
Olivier Corpet, the journals editor and director of the Institute for Contemporary Publishing Archives, passed away on 6 October. In the 1980s he was a central figure in the founding of the European Meeting of Cultural Journals, the informal network that developed into Eurozine. Carl Henrik Fredriksson and Klaus Nellen, Eurozine co-founders, pay tribute to Corpet.