Sweden’s Ministry of Culture recently decided to decentralize arts policy in order to ‘democratize support for the arts’. What on the face of it may seem a positive move has produced mixed results – not least because the far-right Sweden Democrats have gained control of several local and regional authorities. ‘Ord&Bild’ features ‘Culture workers against Fascism’.
Index on Censorship looks at machismo as a political category. Resisting the suffocation of dissent in the era of the internet means standing up ‘for the principles of freedom and democracy all the time, not just when they affect you’, comments editor-in-chief Rachael Jolley.
Slovak journal Kritika & Kontext reflects on present-day discontents and the anti-war poetry of Pavol Országh Hviezdoslav.
In Flemish journal rekto:verso: post-digitality and the new normal, invisible labour and the internet; gaming as public sphere; and the radical self-absorption of Instapoets.
In Welsh journal O’r Pedwar Gwynt: Iris Murdoch in Russia, the lessons of J.M. Coetzee, narcissism and politics, and stories from both sides of the Berlin Wall.
We recently welcomed the German magazine of contemporary music in the Eurozine network. Their latest issue offers a collection of essays, reportages and interviews on the topic of musica sanae – healing through music.
For some on the Left, Habermas’s concept of discursive democracy is a liberal project without critical potential. In ‘Leviathan’, Martin Saar defends a theoretical ‘style’ defined by openness and ambiguity. Also: towards a politics of human rights and a call for parliamentary gender quotas.
Just because there’s fake news doesn’t mean there’s never been political deception, and just because lying is universal doesn’t mean it’s not worth sociologists’ time. Contributions to the new issue of Mittelweg 36 look at examples including the ‘voluntary helper’, confidence tricksters and polygraph tests.
New Humanist’s winter issue, the last under the helm of editor Daniel Trilling, asks how we can improve not only the topics we discuss, but also how we discuss them.
New Eastern Europe asks whether new faces in politics in Ukraine, Moldova, Kazakhstan, and Slovakia mean real change: ‘Is this part of a wider trend that indicates deeper social transformation’, ask the editors, ‘or is it more of the same, with just an upgraded, modern look?’
‘Ord&Bild’ has compiled an issue on the letter as literary genre, presenting and experimenting with the many forms that letters and personal messages can take today: emails, text messages, social media posts, not to mention that allegedly endangered species, the handwritten letter.
‘Fifty years is a long time – a financial institution this old would probably be called “systemically relevant”.’ The Austrian journal turns fifty and dedicates its anniversary issue to the essay genre – past, present and future.
L’Homme – The European Journal for Feminist History – marks thirty years of publishing by looking back at the ways in which its changing team of publishers, editors and authors have shaped how feminist historiography has positioned itself.
Slovak journal Kritika & Kontext returns to Arendt on refugees and debates histories of the First Slovak Republic
Turkish online journal K24 looks at literature, urban life, and ecology, praising novelist Ayşegül Devecioğlu’s treatment of neglected people and places, interviewing novelist, critic, and scriptwriter Selim İleri, and examines the history and precarious future of Turkey’s forests.
The latest 2000 looks at the intersection between art and ethics, remembering forgotten Jewish-Hungarian star actor and theatre director Jenő Janovics, asking whether the greatest form of cowardice is to unquestioningly obey unjust authority figures, and taking another look at a photo-portrait of Marcel Duchamp that makes us reconsider the artist’s genius.