Through the eyes of a zombie
Europe, those who are excluded and the event of being together
Central organizing principles such as “community” have been redefined by globalization, notes Krystian Woznicki. Art faces the question of the representability of community or rather, its unrepresentability. The latter includes the community of the excluded. Referring to photographs by Bruno Serralongue, Woznicki suggests that the excluded are best represented as zombies: they appear as a community that wants to force its way into society. Their goals are unclear.