‘Blätter’ features Richard Sennett on open and closed cities; ‘Soundings’ analyses Britain’s Churchill complex; ‘La Revue nouvelle’ discusses Belgium’s buried history of WWI; ‘L’Homme’ fills gender gaps in centennial historiography; ‘Glänta’ considers truth, truths and modern lies; ‘il Mulino’ looks at perceptions and realities in Italy; and ‘New Humanist’ confronts scientific dogmas, phobias and prejudices.
‘Revista Crítica’ marks forty years of interdisciplinary publishing; ‘Host’ talks about organized corruption and interference in the arts; ‘Index on Censorship’ profiles global journalism in the age of unreason; ‘New Eastern Europe’ explores the ambiguities of 1918; ‘Akadeemia’ appeals for concord and constitutionalism; ‘Esprit’ contemplates a Europe without Christianity; and ‘Springerin’ reflects on paradoxes of progress.
‘Wespennest’ offers help; ‘Vikerkaar’ gets bored; ‘Critique & Humanism’ examines the narrative of Russian meddling; ‘2000’ remembers the ’68 that never was; and ‘Multitudes’ discusses blockchain and the end of capitalism.
‘Merkur’ slaughters some holy cows; ‘Mittelweg 36’ charts the grey zone of sexual violence; ‘Revista Crítica’ discusses calcio and the history of fascism; ‘Ny Tid’ tells of tinned fruit and the Weltschmerz of Generation Y; and ‘New Humanist’ says don’t #DeleteFacebook.
‘Osteuropa’ places Hungary and Poland under the knife; ‘Soundings’ says ’68 wasn’t to blame for what came next; ‘Glänta’ notes similarities, differences and things in between; ‘Samtiden’ returns to #MeToo; and ‘Varlik’ celebrates 85 years of cultural journalism.
‘Blätter’ comments on Merkel’s reversals; ‘Dialogi’ reacts to the illiberal axis; ‘Mittelweg 36′ theorizes border figures; ‘Czas Kultury’ plots genealogies of ’68; and ‘Index on Censorship’ detects trouble in paradise.
‘L’Homme’ examines gendered knowledge and cultural ignorance; ‘Revista Crítica’ focuses on colonial Goa; ‘New Literary Observer’ considers dignity; ‘Poeteka’ compares Cold War bookshelves; and ‘A2’ reads Slavonic horror.
‘Ord&Bild’ debates legacies of ’68; ‘Vagant’ covers Latin American revolution, Nordic union and the colonization of space; ‘Letras Libres’ grapples with online narcissists and digital propagandists; ‘New Humanist’ examines blasphemy laws, domestic violence and ancient DNA; ‘Esprit’ remembers the commitments of Chris Marker.
‘Blätter’ wants public regulation of the big four; ‘Fronesis’ theorizes contemporary solidarities; ‘Wespennest’ talks intelligently about idiocy; ‘Mittelweg 36’ looks at legitimate rebels; and ‘Varlık’ listens to the music of urban Turkey.
‘L’Espill’ deplores Spain’s narrow legalism; ‘La Revue’ nouvelle reports on arenas of feminism; ‘NAQD’ resists rentier capitalism; ‘Index on Censorship’ targets abusers of history; and ‘Springerin’ theorizes the work of art in the age of digital reproduction.
‘Soundings’ gets down to the nitty gritty of opposition; ‘Czas Kultury’ says LGBT+ in Poland has lost its way; ‘Dublin Review of Books’ reflects on Trumpian neediness and British moralism; ‘dérive’ examines informality in Vienna, Belgrade and Paris; ‘Atlas’ considers religious atheists, social outcasts and a cause without rebels; and ‘New Literary Observer’ closes in on Franco Moretti’s distant reading.
‘Blätter’ predicts a politicization of the Europe question; ‘Merkur’ argues that dominant theories of populism reaffirm liberal certainties; ‘Samtiden’ looks at tensions in Norway between town and country; ‘Host’ discusses women’s role in Charter ’77; and ‘Res Publica Nowa’ returns to the political life and thought of Leszek Kołakowski.
‘New Eastern Europe’ wonders whether Putin is bored; ‘Osteuropa’ recognizes the unfinished work of Arseny Roginsky; ‘Kultūros barai’ celebrates the Lithuanian miracle; ‘Varlik’ regrets the Islamization of Istanbul; ‘Esprit’ calls for more democracy at work; and ‘Syn og Segn’ talks about men, women and children.
‘La Revue Nouvelle’ talks about Belgium’s colonial legacies; ‘Vikerkaar’ marks one hundred years of Estonian multiculturalism; ‘Glänta’ notices differences in Sweden; ‘New Humanist’ confronts the rising tide everywhere; ‘Ord&Bild’ draws the line at the far-right; and ‘dérive’ writes from the rust belt.
‘Esprit’ explores worlds of ecology; ‘Merkur’ talks class; ‘Dialogi’ looks at histories of feminism; ‘Belgrade Journal’ introduces voices from the Balkan route; ‘Il Mulino’ travels through a difficult but extremely beautiful country.
‘Soundings’ and ‘Syn og Segn’ debate sovereignty and citizenship; ‘Index on Censorship’ asks if we protest enough – or too much; ‘Osteuropa’ makes a sober assessment of Czech politics; ‘Revolver Revue’ talks to concept artist Karel Miller; ‘New Eastern Europe’ investigates a growing generation gap; and ‘L’Homme’ revisits sisterhood.