‘The Russians are in the pantry already!’ The Hungarian adage is from a 1960s classic comedy The corporal and the others in which a bunch of deserters team up to try and survive the chaotic final weeks of World War II. The tricksters keep adapting their stories and uniforms to match the ever-changing and ever so nonsensical demands of military superiors who come and go around the double frontlines.
Quartered in an abandoned countryside castle and expecting the advancing Red Army to arrive soon, high-ranking Nazis, rouge Arrow Cross militias and servicemen of the disgraced Hungarian military are all scared to death when they find one Russian soldier in the building: a young private is stuck in the pantry. The reaction is panic, the solution is to run amok.
This scene comes to mind when observing how the European Union reacts to Russian interference around its latest elections – by taking measures that are long overdue, and yet far from enough, as Péter Krekó explains in his recent article in our Mood of the Unionfocal point.
Though various politicians in the member states have been openly leaning toward Vladimir Putin for some time, the EU only recently responded to the spread of disinformation and still seems to rely on the states themselves to tackle matters individually.
This could be considered quite sarcastic if we remember that Viktor Orbán, for instance, first declared his rhetorical war of Hungarian independence back in 2013 by taking loans from Russia – instead of from the IMF. And he’s not alone: it seems like certain European politicians are running a selfie contest with Putin, while buliding their strategies on heavyweight propaganda.
It is vital to admit that however the Kremlin tries to interfere with elections, it wouldn’t get anywhere without opportunistic domestic politicians to provide it with a platform. Identifying external threats is only one step of the way. Another would be recognizing entry points and finding out who can or cannot be trusted with countermeasures.
After all, disinformation tends to be much more effective when broadcast on state television.
Réka Kinga Papp
This editorial is part of our 14/2019 newsletter. You can subscribehere to get the bi-weekly updates about latest publications and news on partner journals.
Physical violence and political repression continue to torment Belarusian streets. Ongoing activism incurs a heavy, emotional toll. Could solace and stamina be found in literature, metaphysical reflections on the question of evil?
The film of Putin’s Palace is above all a story of monumental corruption. Yet it is also a story about the Russian leader’s warped historical imagination. Despite the residence’s imperial pretensions, its secrecy speaks volumes about the cultural chasm between Putin and the Romanovs.