Articles

The suggestion that the division of the social product is as urgent a problem as its overall growth has led to political economy returning to both history and current politics, argues Charles S. Maier. High time, then, to analyse deprivation, wealth and inequality on a world scale.

As part of a special issue of “Host” on attitudes to murder in real-life and literary contexts, the American writer David Nemec reveals a sub-plot to a notorious unsolved murder case in which real life remains stubbornly resistant to fiction.

Contemporary architecture seems to have forgotten about the walls as a protection against external heat; they heavily rely on air conditioners instead, which not only use extreme amounts of electricity but also create urban heat islands, thus worsening the microclimate. A better solution is to revisit traditional architectural solutions, such as the Tulou roundhouses, which can inspire less demanding contemporary technologies.

Class has not disappeared. Instead, a more fragmented global class structure has emerged alongside a more flexible open labour market. This prompts Guy Standing to forge a new vocabulary capable of describing class relations in the global market system of the twenty-first century.

The minimalist stories and comics of Etgar Keret have won many readers in Israel, Poland, Hungary, China, the United States and a dozen other countries. In late October 2012, Keret visited Riga, where he met with the readers of his book of short stories, The Bus Driver Who Wanted to Be God & Other Stories. Later he entertained a smaller audience at the residence of the Israeli ambassador.

Nicholas Bradbury made his literary debut this year with the novel “Market Farm”, a reworking of George Orwell’s “Animal Farm” for the free market era. He talks here about influences for his satirical take on the current financial crisis and potential grounds for hope for the future.

Social movements give validity to the rearguard, to the intellectual construction of a model that resists both attacks and criminalisation, writes Juan Luis Sánchez. And as hundreds of people continue to be made homeless every day in Spain, the demonstrations can be expected to continue.

Today, the same arguments once used against Jews, and then against South Asian and Caribbean immigrants, are now raised against Muslims and east Europeans. However, Kenan Malik finds some comfort in reviewing the facts of the matter. He then tackles the illusions.

Harsh measures imposed on Cypriot political and financial authorities to address bank failures reveal, once again, that the entire architecture of the EU is in tatters. The geopolitics surrounding the Greek Cypriot crisis is pulling the EU further apart and into the unknown.

Hakan Sarkdemir cites the lack of a professional distribution network as the biggest problem for Turkish journals. That said, being visible and selling well; selling well and being read well; being read well and having many readers: social media aside, these are not the same thing.

Murat Yalçin of “Kitap-lik” asserts that culture and the arts thrive on individual awareness and thought, not collective sensibilities. Thus every journal has learn to cherish its knowledgeable readers – for which there are no simple formulas based on “responsibility”, “mission” or service.

Osman Deniztekin introduces a survey of Turkish journals that “Varlik” conducted in autumn 2012. Like their European counterparts, Turkish journals need public support. However, they are far more wary of risking their independence by receiving government funding.

Mustafa Aydogan, editor of “Edebiyat Ortami”, explains why he thinks the moral support of governments is healthier than their financial support where journals are concerned. As for the quality of journals, diversity of content is crucial. Thus, every journal creates its own readership.

“SabitFikir” editor Elif Bereketli contends that digital forms are not yet capable of replacing literary journals, at the same time as setting her sights set on a project based exclusively on social media. In a harsh climate for many forms of writing and publishing, innovation is key.