Nancy Bauer talks about what attracted her to the field of philosophy and what made her remain there. Sjöstedt and Bauer also discuss Simone de Beauvoir, the role of scepticism in modern feminism and the thin line between world-changing philosophy and dogmatism.
Johanna Sjöstedt introduces her conversation with Nancy Bauer by explaining why Bauer is interested both in exploring the potential of a genuinely philosophical feminism and paving the way for a feminist critique of the philosophical tradition.
The world-famous violin virtuoso Anne-Sophie Mutter remembers going through agony before the premiere of Chain II. She had to struggle with the strange new hieroglyphics in Witold Lutoslawski’s score, but even today the marvellous sounds and colours of his music still enchant her. Lutoslawski opened the door for Mutter onto the language of contemporary classical music and new freedom as a performer. She disdains any schematic divisions of music into tendencies, eras or national schools, and pleads the case for music that unfolds from silence. “We really need such music, since the world is very loud indeed!”
William E Scheuerman explains why Obama’s mediocre humanitarian record in the “war on terror” deserves our critical scrutiny. And how US presidential government’s latent monarchist attributes have generated far-reaching policy and legal continuities between Bush and Obama.
Harold James advocates scaling up small country democracy, if the members of the European Union are ever to succeed in settling upon a working model of democracy. He explains why the Swiss model of “Konkordanzdemokratie” has much to offer.
The recent boom in Belarus-China relations is surprising; it’s sudden, far reaching and, at first glance, inexplicable. But what are the true reasons and possible prospects for this cooperation? Independent television journalist Katerina Barushka explores.
A political culture of total optimism has obscured one of the paradoxes of European unity: a constrained democracy, borne out of the experience of the devastating wars in the first half of the twentieth century, and aimed at suppressing pernicious populist instincts, has now become the source of new resentment. Coupled with the unintended consequences of the single currency, these are exceptional times indeed. And the challenges awaiting democracy are not about to get any easier, according to Stefan Auer.
Claus Leggewie pieces together the preconditions of transnationality – migrant communities, religious pluralism and hybrid popular mass culture – with a view to foregrounding the challenge that it presents: between local cultures and global markets, how can a cross-border demos be constructed?
As protests continue in Slovenia, Robert Titan Felix sees the need for a programme to protect the welfare state and citizens themselves from the greed of capital, which pushes the less successful to the margins of existence.
Boyan Znepolski remains far from convinced by recent attempts by contemporary philosophers to get to grips with the relation between democracy as a political regime and “the people”. He discerns a deficit of creativity in the thought of Zizek, Badiou and Laclau.
At some point, there is a tilt; there always is. Then we shall settle down into our new historical system. Wallerstein foresees one of two possibilities: more hierarchy, exploitation and polarization; or a system that has never yet existed, based on relative democracy and relative equality.
Claus Offe opts for democracy over “TINA” logic (“there is no alternative”), which only leads to a politics that fails to provide the electorate with choices. And therein lies the trap. Only more solidarity and more democracy, he argues, can rescue the eurozone from the brink of collapse.
Disillusionment with democracy founded on mistrust of business and political elites has prompted a popular obsession with transparency. But the management of mistrust cannot remedy voters’ loss of power and may spell the end for democratic reform.
Alina Polyakova questions the assumption that the rise of the radical right in Central and Eastern Europe is rooted in economic conditions. Looking instead at the consequences of post-socialist civil society for liberal democracy is far more likely to render a more realistic picture, she writes.
Not only does Henrihs Vorkals play with your consciousness and sense of perception, writes art historian Laine Kristberga. He also makes you think about the formal values of art and the illusory nature of a painting.
Lloyd Newson tackles issues of free speech, Islam and multiculturalism in his recent verbatim theatre production, which combines text drawn from interviews with movement. This is the point of departure for an interview with Maryam Omidi.