Ord&Bild

Sweden

The nationalist reaction to the refugee crisis of 2015 casts a shadow over the opening of the House of European History in Brussels. Will the new institution’s role be merely to display the vestiges of a common European cultural heritage?

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Intensifying the exploitation of underground resources has been suggested as a solution for Europe’s crisis-ridden regions. But who really owns these resources? And where do the proceeds from their exploitation go? Evie Papada reviews the situation in the villages of Chalkidiki, Greece.

During the twentieth anniversary celebration of the fall of the Berlin Wall, a symbolic wall consisting of dominoes was toppled. The dominoes were painted on both sides, something that could only have been done with a great deal of forgetting, writes Jacob Kimvall. In reality, there was graffiti only on the western side of the Wall, and that was put there illegally; but during the anniversary, unity seems to be more important than historical accuracy.

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A supposed dichotomy between Islam and Europe means that, despite the historical presence of Muslims in Europe, representations of European cultural heritage largely exclude Islam. Multiculturalist avowals notwithstanding, European museums reproduce the orientalist premises of the nineteenth century, argues curator Klas Grinell.