Although it makes for a great dramatic effect, the theories of the sudden death of democracy disregard the gradual erosion and capture of institutions, and the role of the populace – argues political scientist John Keane.
Although it makes for a great dramatic effect, the theories of the sudden death of democracy disregard the gradual erosion and capture of institutions, and the role of the populace – argues political scientist John Keane.
Glänta translates selected articles from Colta.ru 2010–2022: including false predictions on the eve of Putin’s third term; despair after annexation; observations on the cult of victory; and attempts to think Russia’s future now.
Hopes raised in 2019 of municipal counter-hegemony in Hungary have been disappointed. But in Budapest, the idea of progressive local government is kept alive by the movement for housing justice.
Defending territory in war expands beyond physical frontlines to include cultural ground. Reclaiming signature dishes, language and public space contests their colonial assumption. Upholding traditions and retaining small home comforts takes on greater significance.
Since Euromaidan and the first Russian invasion in 2014, Ukrainian filmmakers have been prolifically recording the impact of war on society. The result is an immensely powerful and varied body of work across genres and styles. A survey.
The French political class has treated Giuliano da Empoli’s fictional insider account of the Putin regime as a handbook for dealing with the Russian leader. This is unfortunate. Not only is the novel full of inaccuracies, it also reproduces the Kremlin worldview.
Since the Russian war on Ukraine, post-revolutionary Armenia has been turning towards the West in search of security. But how is the new situation impacting domestically on the vulnerable South Caucasus nation? Is Armenia’s democratic light in the region as bright as some would believe?
Although it makes for a great dramatic effect, the theories of the sudden death of democracy disregard the gradual erosion and capture of institutions, and the role of the populace – argues political scientist John Keane.
Turing off the tap for the Church of England: why state support for English Anglicanism belongs to the past. Also: Kenan Malik on the flaws of critical race theory.
On the Zeitenwende and other departures from familiar (dis)orders: post-pandemic neoliberalism, authoritarian reaction and solidarist solutions; in defence of etiquette – why diplomatic ceremony doesn’t date; death cults in southern Italy, calendrical chaos, and gender and ageing.
Glänta translates selected articles from Colta.ru 2010–2022: including false predictions on the eve of Putin’s third term; despair after annexation; observations on the cult of victory; and attempts to think Russia’s future now.
The ‘great democratic revolution’ of modern times, as Tocqueville once called it, appears to be spluttering to a halt. Some observers, recalling the disasters of the 1920s and 30s, are suggesting that an anti-democratic counterrevolution on a global scale has begun. But is the writing really on the wall? Or does declinism prevent us from recognizing moments of democratic renewal?
Eurozine looks into the political, social and cultural factors that define the war on Ukraine, from Russia’s neo-imperialist aspirations and the concept of culpability to artists at the forefront of Ukrainian resistance. This focal point is supported by the C.H.Beck Verlag.
Post-revolutionary Ukrainian society displays a unique mix of hope, enthusiasm, social creativity, collective trauma of war, radicalism and disillusionment. With the Maidan becoming history, the focal point ‘Ukraine in European Dialogue’ explores the new challenges facing the young democracy, its place in Europe, and the lessons it might offer for the future of the European project.
The focal point presents the findings of the project ‘Eurasia in Global Dialogue’ being carried out at the Institute for Human Sciences, Vienna (IWM). The focal point is an extension of the earlier focal point, ‘Russia in Global Dialogue’ that ran in Eurozine and at the IWM from 2012–2018.