As propagandists of a patriarchal order, tradwives perpetrate harm. But harm is being enacted on tradwives too. So why do some feminists see tradwifery as self-empowerment?
As propagandists of a patriarchal order, tradwives perpetrate harm. But harm is being enacted on tradwives too. So why do some feminists see tradwifery as self-empowerment?
The glorification of storytelling to define who we are or save the planet induces aversion in some: philosopher Byung-Chul Han calls the obsession ‘story-selling’. Do digitally packaged stories restrict how we perceive our often rambling, fragmentary lives? Could alternatives be found in open, porous and incomplete narratives, even when confronting death?
Eurozine is deeply saddened by the death of Judith Vidal-Hall, editor of Index on Censorship from 1993–2006 and a longstanding member of Eurozine’s advisory board. We recall the deep and lasting mark she made on the network.
Democracy in the US is under threat from within. Racial nationalism – a throwback to unresolved tensions from the American Civil War – has found new impetus under Trump, forcing civic nationalism into a corner. Will the immutable longevity of the American Constitution be its paradoxical undoing? And how might the US recover from its emerging dictatorship?
The guarded approach of this year’s Berlin Biennale towards expressions of pro-Palestinian solidarity left artists and art public alike with the sense that what is currently permissible in Germany’s cultural sector is not enough.
What happens when societies become desensitized to violence? Does humanity collapse under the weight of repeatedly inflicted cruelty, witnessed as routine, forcing endurance on women, the poor and others excluded from citizenship, as in Gaza? Or does resistance rest in the gestation of fragmented, suspended lives, the martyred dead and movements like ‘Woman, Life Freedom’?
Russian art museums and galleries, navigating Putin’s censorship, either conform or risk closure. Dissenting cultural workers are sacked, artists arrested. Pro-war propaganda is both sardonically replacing exhibitions once celebrating Soviet Ukraine in Russia and eradicating Ukrainian culture in the occupied territories.
“Come Together” is founded on the principles of partnership and peer-to-peer learning among individuals within community media organizations situated in six different countries. Instead of generating entirely new knowledge, the initiative aims to unearth and leverage the existing wisdom residing within these organizations to foster innovative approaches.
How AI is changing the nature of censorship; artificial intelligence versus historical truth; revisiting the UK government’s response to 7/7; missing Palestinians from this year’s Berlin Biennale.
Bankruptcy in nineteenth-century parables of capitalism; billionaires, bankruptcy and the American obsession with money; and why the refusal to accept the end makes life worse.
Parables of violence; memories of dictatorship; perversions of memory: Ord&Bild samples contemporary Latin American literature and photography.
Post-revolutionary Ukrainian society displays a unique mix of hope, enthusiasm, social creativity, collective trauma of war, radicalism and disillusionment. With the Maidan becoming history, the focal point ‘Ukraine in European Dialogue’ explores the new challenges facing the young democracy, its place in Europe, and the lessons it might offer for the future of the European project.
Inspired by a lecture that Clifford Geertz delivered in 1995 at the Institute for Human Sciences in Vienna, this focal point engages with ‘deep diversity’, ‘a sense of dispersion, of particularity, of complexity and of uncenteredness’ rather than unified world order. It follows the launch of a research programme of the same name at the institute in January 2023.
Food and water systems under pressure: as the end of abundance becomes an everyday experience in Europe, we are thinking more closely about how our food reaches the table.
Some observers, recalling the disasters of the 1920s and 30s, are suggesting that an anti-democratic counterrevolution on a global scale has begun. But is the writing really on the wall? Or does declinism prevent us from recognizing moments of democratic renewal?