Articles

While civilizational rhetoric in the West reflects a sense of threat, globally it is recognition-seeking. Common to all civilizationalisms, however, is a blurring of the distinction between authoritarianism and democracy.

As propagandists of a patriarchal order, tradwives perpetrate harm. But harm is being enacted on tradwives too. So why do some feminists see tradwifery as self-empowerment?

The glorification of storytelling to define who we are or save the planet induces aversion in some: philosopher Byung-Chul Han calls the obsession ‘story-selling’. Do digitally packaged stories restrict how we perceive our often rambling, fragmentary lives? Could alternatives be found in open, porous and incomplete narratives, even when confronting death?

The 33rd European Meeting of Cultural Journals will take place from 7–9 November 2025 in the Slovenian–Italian cities of Nova Gorica/Gorizia, a ‘borderless’ European Capital of Culture in 2025. The conference is co-organized with Razpotja magazine.

Former Index editor Jo Glanville pays tribute to a journalist who introduced a western audience to a diverse range of writers and artists

Democracy in the US is under threat from within. Racial nationalism – a throwback to unresolved tensions from the American Civil War – has found new impetus under Trump, forcing civic nationalism into a corner. Will the immutable longevity of the American Constitution be its paradoxical undoing? And how might the US recover from its emerging dictatorship?

Eurozine is deeply saddened by the death of Judith Vidal-Hall, editor of Index on Censorship from 1993–2006 and a longstanding member of Eurozine’s advisory board. We recall the deep and lasting mark she made on the network.

The guarded approach of this year’s Berlin Biennale towards expressions of pro-Palestinian solidarity left artists and art public alike with the sense that what is currently permissible in Germany’s cultural sector is not enough.

Russian art museums and galleries, navigating Putin’s censorship, either conform or risk closure. Dissenting cultural workers are sacked, artists arrested. Pro-war propaganda is both sardonically replacing exhibitions once celebrating Soviet Ukraine in Russia and eradicating Ukrainian culture in the occupied territories.

Under the Netanyahu government, Israel has aligned itself with an autocratic international whose goal is to transform sovereignty into state impunity. The war on Gaza inaugurates a global era in which consensus itself has lost legitimacy.

‘Since leaving Khan Younis, I have not felt whole. The knowledge that complete healing will never come has become something I carry with me always, like a part of my body, like an extra limb.’ A Gazan writer on her experience of multiple displacement, written in March 2025.

What happens when societies become desensitized to violence? Does humanity collapse under the weight of repeatedly inflicted cruelty, witnessed as routine, forcing endurance on women, the poor and others excluded from citizenship, as in Gaza? Or does resistance rest in the gestation of fragmented, suspended lives, the martyred dead and movements like ‘Woman, Life Freedom’?

Political failures since 7 October 2023 have had deep repercussions for Jews in liberal democracies. Not only are they divided over the Jewish state, they also feel alienated from societies in which antisemitism is regularly disguised as anti-Zionism, and in which the far-right has become Israel’s greatest champion.

A century after publication, ‘Mein Kampf’ is instructive not just of the mass appeal of delusional xenophobia, but also of the circumstances under which morality can become a form of terror.

House keys recur in the stories of Crimean Tatars and Palestinians displaced from their respective homelands in the 1940s, and Ukrainian citizens fleeing Russian invasion since 2014. Ethnographic research and discourses on art and justice show how objects emblematic of home salvage the history of exiled peoples from oblivion.

As capital consolidates, culture recedes, funding vanishes, access narrows. The question persists: why fund culture at all? Cultural managers from Austria, Hungary and Serbia discuss.