Eurozine Review

How the British royal family seals the archives to preserve the myth of constitutional impartiality – and why the truth will out, if not in the courts then the Commonwealth.

Featuring an interview with ambient pioneer Suzanne Ciani; the origins and meaning of ‘deep listening’; deconstructing the concert hall; and contemporary opera from Ukraine.

Why the West worries more about cancel culture than cultural annihilation; what orientalism means to eastern Europeans; and how Polish children’s literature is changing with the troubled times.

How accommodating Ukrainian refugees is a way for Romanian property-owners to make a quick buck; on the life of Baron Francz Nopcsa, the Indiana Jones of the Balkans; and short films portraying Romanian society from the edges.

Photos of Kherson’s emergence from occupation; visiting one of Ukraine’s ‘hubs of unbreakable-ness’; Aleksander Wienerberger’s images of the Holodomor; and exhibiting artefacts of the invasion.

On the causes and remedies for the dramatic rise in inequality in post-pandemic Italy: including the gender pay gap, lack of pre-school provision in the South, and an education system that is failing the worse-off.

What the taboo on race fakery might be hiding; how it’s getting hard to write an objective history of Soviet modernism; why so many Russians believe the myth of peaceful empire; and how neutrality is Austria’ most self-serving fiction.

Dwutygodnik touches on a contemporary taboo: why hatred and other base emotions are no less valid than cool impartiality; how hating Russia doesn’t help; and why there’s hope in hate if we can channel it into change.

Esprit focuses on China: Xi’s rhetoric of struggle; why the CCP passes the test of totalitarianism; how ideology is exacerbating the slowdown; and what’s at stake in Taiwan. Also: Meloni and the politics of clownism.

How culture in the UK has become the soft target for an improvised neo-Thatcherism; why the Left makes a mistake to denigrate cultural politics; how to understand the far-right’s online power-base; and why the BBC prefers to manufacture dissensus.

‘springerin’ on how the art world is coping with downgrading in a climate where ‘bigger is better’, re-engaging with the material world and dealing with the ‘big boys and their extractivist toys’.

In ‘Merkur’: why Günter Wallraff’s 1985 bestseller ‘The Lowest of the Low’ appears scandalous by the standards of today’s racial justice discourse – but remains absolutely worth reading for its searing analysis of the exploitation of labour in wealthy democracies.

In ‘New Eastern Europe’: why the West should not be fooled by Russia’s Cold War revivalism; whether Ukraine can turn the tables; and where now after the ruins of Ostpolitik?

‘Akadeemia’ applies Lotmanian semiotics to today’s societal concerns. Including a holistic view of digital fragmentation, integrating ecology into the cultural sphere and creatively rethinking educational practices.

In Swedish journal Ord&Bild: the semantics of the gig; joy and violence in Belarus; remembering the squatter movement; and the invisible labour of the GM chicken.

‘Revista Crítica’ takes an oceanic turn, with articles on the imaginations of Spanish emigrants, the role of the ocean in Ben Gurion’s socialist Zionism, and ‘borderscapes’ in films about migration in the Mediterranean.