rekto:verso 87 (2020)
The new issue of the Flemish journal ‘rekto:verso’ informs us about historical monsters, monsters in the movies, and monsters at the circus. But it also discusses monsters that aren’t always recognizable as such: the embodiments of monstrousness experienced in multiple ‘Others’.
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rekto:verso 87 (2020)
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Myth: Ambitious and intelligent women from Hilary Clinton to Greta Thunberg, who ‘dare to transcend the norms and values of patriarchal societies’, are often perceived as monsters. Zeynep Kubat connects their fate to the myth of Medusa. We think of her as ugly and aggressive, but she tells a story about rape culture and how to claim one’s voice. If Medusa is a feminist symbol, then the monstrous might harbour positive energies in the battle for rights and emancipation.
Colonialism: Sibo Kanobana explores the figure of Black Pete in the Dutch-Belgian tradition. There are many similar figures in cultures worldwide, but the Dutch-Belgian ‘monster’ is unusual in being a product of colonial history. Slowly but surely, however, this is changing. ‘Although Black Pete and his significance as an object of hilarity will not disappear, his colonial and imperialistic connotations will’. Monstrous and magical characters are loved and wanted and perform an important cultural function.
AI: Gaea Schoeters sees artificial intelligence as a present-day Frankenstein: ‘Once Pandora’s box is opened, we will not be able to put the monster back.’ AI is also monstrous because it is utterly incomprehensible, even for those who conceived it. However, the real question is less who understands it, but rather who owns it — because whoever does, also owns the world.
Published 20 April 2020
Original in English
Contributed by rekto:verso © EurozinePDF/PRINT
Positionen 122 (2020)
Positionen asks whether contemporary music is liberated or reshaped by the media environment. Including articles on AI and composition and ‘schweigen’/silence as performance.
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Blätter looks into what happens when national memory is left to the Right.