May the horror and shame unite us

In moments of intense apprehension and fear, we may well be disinclined to read books, but it is vital to actively maintain channels of mutual support. A statement by the editors of the Russian journal ‘New Literary Observer’.

In the face of immense tragedy, our thoughts are with all those suffering as a result of this war and this madness. We think of people from Ukraine, Russia and elsewhere, shocked and traumatized by what is happening – as we are ourselves. May the horror, pain and shame we feel help to unite us, and not cause further division. In moments of intense apprehension and fear, we may well be disinclined to read books, but it is vital actively to maintain channels of mutual support through social and professional networking.

The New Literary Observer (Novoe literaturnoe obozrenie) has been operating as a publishing house, and as a journal, since it was launched in 1992. These have been difficult years for Russia. The country has experienced numerous social and political upheavals and, as a publisher, we have made every effort to reflect on the processes we have witnessed. The issues posed by post-Soviet cultural and historical anthropology, and post-Soviet identity, remain acute: the values by which people brought up in post-Soviet states live today, their standards, points of reference, motivations and ways of interacting with the external environment are more starkly defined than ever.

What does it mean to be part of a closed community which has inherited the totalitarian predispositions of the past? Can the resulting closed borders be crossed? Is it possible to step out of the confines of a given identity that offers no apparent alternative? Can Russia prevail over its past, as other countries which have experienced totalitarian regimes have succeeded in doing?

Over the last 30 years we have sought to respond to questions such as these, and we continue to do so now. The current situation presents us with new challenges. Should we go on fighting for a different identity for Russia, and how? Can we devise a language for public discourse on crimes committed by the state? What alternatives for the development of our future as a nation-state can we suggest at this time? As we explore cultural history, memory politics, the micro-histories of everyday life, and post-Soviet anthropology, we will keep addressing all these questions together with some of the finest authors writing in and outside Russia.

The New Literary Observer is continuing its work and preparing new issues of the journal, as well as new books, for publication. We say ‘no’ to war!

Published 17 March 2022
Original in English
First published by Eurozine

Contributed by New Literary Observer © New Literary Observer / Eurozine

PDF/PRINT

Newsletter

Subscribe to know what’s worth thinking about.

Related Articles

Cover for: Chernovtsy palimpsest

The many names of Chernovtsy in Ukraine attest to the tumultuous military and political history of Europe, borne out in cultural and linguistic competition, conflict and compromise in literature, music and art. What traces of this past can still be seen in the city today?

Cover for: Defined by silence

Defined by silence

The Ukrainian art that was destroyed – and the art that never happened

Ukrainian artists are struggling to invent a new language to express their experience of the war, one that goes beyond tropes and commonplaces. Some of them frantically document, others reflect in hurried sketches while on the run with their kids. Many artists don’t create at all – they are on the frontlines.

Discussion