‘Russian memory politics represses both the utopia and the violence. It wants neither to know about the perpetrators nor to commemorate the victims.’ The editors of Eurozine partner journal ‘Osteuropa’ reflect on the political meaning of Russia’s official commemoration of 1917.
The world-famous violin virtuoso Anne-Sophie Mutter remembers going through agony before the premiere of Chain II. She had to struggle with the strange new hieroglyphics in Witold Lutoslawski’s score, but even today the marvellous sounds and colours of his music still enchant her. Lutoslawski opened the door for Mutter onto the language of contemporary classical music and new freedom as a performer. She disdains any schematic divisions of music into tendencies, eras or national schools, and pleads the case for music that unfolds from silence. “We really need such music, since the world is very loud indeed!”
"Europe's last dictatorship": A self-fulfilling prophecy
Lukashenka’s departure from the path of liberalization required by the EU’s Eastern Partnership programme suggests Russian pressure, says David Marples. The Belarusian president may have been able to dispose of political opponents, but the country’s economic weakness poses a more elusive threat to the stability of his regime.