To write is to write one’s way through the preconceived and into the world on the other side, to see the world as children can, as fantastic or terrifying, but always rich and wide-open. Karl Ove Knausgård on creating literature.
The only clear thought to seep through the numbness and nausea after 22/7 was the relief that an ethnic Norwegian was responsible, writes Samtiden editor Cathrine Sandnes. Not because she feels vindicated, but because she is grateful for all the things that are not happening out on the streets.
When newspapers die it can be a slow and painful business. Many of its current problems — loss of revenue and falling readership among them — are of the newspaper industry’s own making, but there are signs that some in the business are finally getting the message and shaping up to the future.
But the foundations stand firm
After the massacre on Utøya on 22 July 2011, Norwegian prime minister Jens Stoltenberg assumed the role as “comforter of the nation”, a response typically Scandinavian in its implication of a quasi-paternal relationship between prime minister and population. Writing in Samtiden, Stoltenberg describes the thinking behind the wording of his statements and sees in their overwhelmingly positive reception a “renaissance of the public address”.
Look at my dress
When I was 22 I wanted to find a different way of writing about being a man, writes Geir Gulliksen. It should be possible to be as gentle as a boy or as reckless as a girl. But gender stereotypes have not changed as radically as we think.