Важная новость для Газы: соглашение о прекращении огня между израильским правительством и ХАМАС. Палестинские военные художники рассказывают о своем творческом подходе к документированию потерь; их цифровые работы, выходящие за пределы войны, получают поддержку тех, кто поддерживает их стойкость.

Как написать над облаками завещание моей родни? И мой род / оставляет время позади …, и мой род / всякий раз, когда они строят крепость, они разрушают ее, чтобы воздвигнуть над ней / шатер тоски

Translated by
Display Europe
Co-funded by the European Union
European Union

Translation is done via AI technology. The quality is limited by the used language model.

This paragraph has been written using Darwish's imagery and symbolic universe. For a better understanding, please refer to his work Eleven Planets at the End of the Andalusian Scene (1992); Gabriel García Lorca, quoted in Darwish’s poem, was a Spanish poet inspirational for Arabic poetry. Darwish and Lorca share a lot of symbology such as blood, the moon and the olive tree.

Title of one of Abdelkareem’s sketches, from the series Made in War (2024 onwards).

Fragment from Victim Number 18, Mahmoud Darwish, 1980.

Published 16 January 2025
Original in English
First published by Eurozine

© Ana Mattioli Aramburu / Eurozine

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