Essays | Eurozine

Central Europe is filled with cities and countries with multiple historical identities. Vilnius in Lithuania is one of the prime examples. Andrea Pipino revisits the city after a 25-year break, and asks why Lithuania has not succumbed to the siren song of central European nationalism.

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There can be no doubting the historical influence of literary-intellectual magazines, but we still know little about how they were led and managed. Looking at some of the outstanding magazine editors of twentieth-century Europe, Matthew Philpotts argues that the key to success lies not just in individual talent and charisma, but also in strong editorial collectivity and social conditions favourable to publishing.

Only in en

Franco Moretti’s seminal collection ‘Distant Reading’ set out his famous quantitative approach to literary criticism and was a key contribution to the emergent field of digital humanities. Moretti’s interest in the ‘big questions’ of literary evolution, literary form and narrative universals was shared and significantly influenced by early twentieth-century Russian Formalism, writes Jessica Merrill.

Poland is at the centre of the debate on memory politics in Europe. Plans for a museum to commemorate the ‘Polocaust’ are the next part of Poland’s history project – but have prompted outrage in Israel. Konstanty Gebert reports on what it all means.

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Informal construction in Yugoslavia started as a response to housing shortages but after 1990 turned into a way to make money. To see Belgrade’s semi-legal architecture as proof that urbanization can be democratized is to overlook market forces, writes Dubravka Sekulić.

Only in en

Ukrainian officials are trying to attract European investors to their country by stressing its low cost base and well-qualified workers. But as Artem Gergun notes, millions of Ukrainian citizens have grasped that these advantages are portable – and, rather than waiting for Europe to come them, are heading there for themselves.

Only in en
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