Ivan Telebar

studies Croatian and South Slavic languages and literatures at the Faculty of Philosophy in Zagreb. He is currently working on a thesis with the title “Shaping Identity in Transitional Prose”.


Serbia’s neo-fascist political establishment is the target of Svetislav Basara’s satirical novel Mein Kampf, from which not even the country’s modernizing figures emerge unscathed. Not surprisingly, the reaction has been one of irritation, writes Ivan Telebar.