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Springerin | 3/2014

Arab Summer

Springerin | 2/2014

Zensur [Censorship]

Springerin | 1/2014

Chronic Times

Springerin | 4/2013

Kunst der Verschuldung [Art of indebtedness]

Springerin | 3/2013

Apparate Maschinen [Apparatus Machines]

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Latest Articles

Rosa Liksom

Finland, Lapland, Russia and me

The Tornio River forms the border between Sweden and Finland, and flows into the Gulf of Bothnia in the Baltic Sea. Throughout the ages, writes Rosa Liksom, the world's travellers have navigated the river with a view to finding out about the mystical North. [ more ]

Eurozine Review

A centre receding

Svenja Ahlhaus

Animals in parliament?

Hugues Lagrange

Mediterranean youth uprisings

Ulrich Brand

Degrowth: Birth of a movement?

New Issues


A2 | 20 (2014)

Soumrak literární kritiky [Twiligth of literary criticism]

Wespennest | 167 (2014)


Glänta | 2/2014

Migration #2

Mittelweg 36 | 5/2014

Politische Tiere [Political animals]

Eurozine Review

Eurozine Review

A centre receding

"Glänta" remaps migration; "Wespennest" heads north; "Mittelweg 36" engages in animal politics; in "Blätter" Marc Engelhardt slams the snail's pace of the Global North's response to Ebola; "Esprit" discerns the rehabilitation of the public sphere in Mediterranean youth uprisings; in "Letras Libres" Mark Lilla asks if there's a Plan B for non-democracies; "Res Publica Nowa" says that what Poland needs now is creativity; and "A2" finds the morphing of lit crit into advertising copy distasteful.

Eurozine Review

This revolutionary moment

Eurozine Review

Independence in an age of interdependence

Eurozine Review

Was Crimea a preliminary exercise?

Eurozine Review

What are you doing here?

My Eurozine

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Springerin 3/2014
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Arab Summer




Felix Stalder
Let's Make It Real
Zur Konstituierung der Realität durch digitale Medien
Konrad Becker
Operative Realität
Kunst, technische Medien und die Produktion von Wirklichkeiten
Monika Mokre
Alter Wein in neuen Schläuchen
Zum Künstlerbild der Kreativ- und Kulturwirtschaft
Yvonne Volkart
"Infizieren und infiziert werden"
Die belgische Non-Profit-Organisation Constant als Paradefall einer offenen Netzkultur
Christian Höller
Trust the Network, Not the Document
Zur Flüchtigkeit von Digital- und Netzwerkästhetiken

Arab summer

Farid Hafez
Charlotte Bank
Kunst im Kreuzfeuer
Syrische KünstlerInnen drei Jahre nach Beginn der Revolte
Róza El-Hassan
Syrian Voices
Kunst abseits von TNT und Chloringas
Mona Sarkis
Geografien der Angst
Auswirkungen des Syrienkonflikts in der libanesischen Kulturszene
Fadi Toufiq
Wie haben wir überlebt? Haben wir denn überlebt?
Eine Neubetrachtung des libanesischen Bürgerkriegs
Nat Muller, Ferry Biedermann
Alice Creischer, Andreas Siekmann
Labour Camp heißt jetzt Village
Zwischenbericht über die KünstlerInnen- und Menschenrechtsinitiative Gulf Labor
Selma und Sofiane Ouissi
Laaroussas – von Sejnane nach Aubagne
Ein Projekt der L'Art Rue Association im Norden Tunesiens
Anneka Lenssen
Wirkungen ohne Ursachen
Zu Hassan Khans erster großer Einzelausstellung in Kairo

Thinking Together - die Ukraine denken

Liza Babenko
Das imaginäre Archiv: Eine Neudeutung des Maidan
Hedwig Saxenhuber
Bilder der Revolution
Lizaveta German
Eine etwas andere Kunstgeschichte



Vera Tollmann
Berlin Biennale 8
Haus am Waldsee, Museum Dahlem – Staatliche Museen zu Berlin, KW Institute for Contemporary Art und Crash Pad, Berlin
Simina Neagu
Ioana Nemeş – Monthly Evaluations
Eastside Projects, Birmingham
Gabriele Hoffmann
Zum Beispiel "Les Immatériaux" / Smart New World
Kunstverein für die Rheinlande und Westfalen / Kunsthalle Düsseldorf, Düsseldorf
Christian Höller
Lisa Oppenheim – From Abigail to Jacob (Works 2004–2014)
Grazer Kunstverein
Simona Nastac
Burak Delier – Freedom has no script
Iniva (Institute of International Visual Arts), London
Sören Meschede
Playgrounds. Reinventar la plaza
Museo Reina Sofía, Madrid
Rahma Khazam
Arseniy Zhilyaev – M.I.R.: New paths to the objects
Kadist Art Foundation, Paris
Daniel Horn
Dani Gal – As from Afar / Night and Fog
Tel Aviv Museum of Art
Christa Benzer
Meeting Points 7: Zehntausend Täuschungen und hunderttausend Tricks
21er Haus, Wien
Christoph Braun
I Can't Control Myself
Kunstverein Wolfsburg


Thomas Edlinger
Helmut Draxler/Tanja Widmann (Hg.)
Ein kritischer Modus? Die Form der Theorie und der Inhalt der Kunst
Yuki Higashino
Andreas Fogarasi
Vasarely Go Home
Gislind Nabakowski
Johannes Ebert/Günther Hasenkamp/Johannes Odenthal/ Sarah Rifky/Stefan Winkler (Hg.)
Zeitgenössische Künstler aus der arabischen Welt
Rahma Khazam
Tristan Garcia
Form and Object: A Treatise on Things
Martin Reiterer
Alexander Bühler/Uta Röttgers
Emilio Tasso: Eine Abenteuerreportage
Tom Tirabosco/Christian Perrissin
Kongo: Joseph Conrads Reise ins Herz der Finsternis


Support Eurozine     click for more

If you appreciate Eurozine's work and would like to support our contribution to the establishment of a European public sphere, see information about making a donation.

Focal points     click for more

Russia in global dialogue
In the two decades after the end of the Cold War, intellectual interaction between Russia and Europe has intensified. It has not, however, prompted a common conversation. The focal point "Russia in global dialogue" seeks to fuel debate on democracy, society and the legacy of empire. [more]

Ukraine in focus
Ten years after the Orange Revolution, Ukraine is in the throes of yet another major struggle. Eurozine provides commentary on events as they unfold and further articles from the archive providing background to the situation in today's Ukraine. [more]

The ends of democracy
At a time when the global pull of democracy has never been stronger, the crisis of democracy has become acute. Eurozine has collected articles that make the problems of democracy so tangible that one starts to wonder if it has a future at all, as well as those that return to the very basis of the principle of democracy. [more]

The EU: Broken or just broke?
Brought on by the global economic recession, the eurocrisis has been exacerbated by serious faults built into the monetary union. Contributors discuss whether the EU is not only broke, but also broken -- and if so, whether Europe's leaders are up to the task of fixing it. [more]

Time to Talk     click for more

Time to Talk, a network of European Houses of Debate, has partnered up with Eurozine to launch an online platform. Here you can watch video highlights from all TTT events, anytime, anywhere.
Dessislava Gavrilova, Jo Glanville et al.
The role of literature houses in protecting the space for free expression
This summer, Time to Talk partner Free Word, London hosted a debate on the role that literature houses play in preserving freedom of expression both in Europe and globally. Should everyone get a place on the podium? Also those representing the political extremes? [more]

Eurozine BLOG

On the Eurozine BLOG, editors and Eurozine contributors comment on current affairs and events. What's behind the headlines in the world of European intellectual journals?
Ben Tendler
Cultures of the Anthropocene
Though the Anthropocene has yet to be officially ratified as a new geological epoch, reflections on cultures of the Anthropocene can hardly be considered premature, writes Ben Tendler. A roundup of recent contributions to the public debate that seek to overcome departmental thinking. [more]

Vacancies at Eurozine     click for more

There are currently no positions available.

Editor's choice     click for more

William E Scheuerman
Civil disobedience for an age of total surveillance
The case of Edward Snowden
Earlier civil disobedients hinted at our increasingly global condition. Snowden takes it as a given. But, writes William E. Scheuerman, in lieu of an independent global legal system in which Snowden could defend his legal claims, the Obama administration should treat him with clemency. [more]

Literature     click for more

Olga Tokarczuk
A finger pointing at the moon
Our language is our literary destiny, writes Olga Tokarczuk. And "minority" languages provide a special kind of sanctuary too, inaccessible to the rest of the world. But, there again, language is at its most powerful when it reaches beyond itself and starts to create an alternative world. [more]

Piotr Kiezun, Jaroslaw Kuisz
Literary perspectives special: Witold Gombrowicz
The recent publication of the private diary of Witold Gombrowicz provides unparalleled insight into the life of one of Poland's great twentieth-century novelists and dramatists. But this is not literature. Instead: here he is, completely naked. [more]

Literary perspectives
The re-transnationalization of literary criticism
Eurozine's series of essays aims to provide an overview of diverse literary landscapes in Europe. Covered so far: Croatia, Sweden, Austria, Estonia, Ukraine, Northern Ireland, Slovenia, the Netherlands and Hungary. [more]

Debate series     click for more

Europe talks to Europe
Nationalism in Belgium might be different from nationalism in Ukraine, but if we want to understand the current European crisis and how to overcome it we need to take both into account. The debate series "Europe talks to Europe" is an attempt to turn European intellectual debate into a two-way street. [more]

Conferences     click for more

Eurozine emerged from an informal network dating back to 1983. Since then, European cultural magazines have met annually in European cities to exchange ideas and experiences. Around 100 journals from almost every European country are now regularly involved in these meetings.
Law and Border. House Search in Fortress Europe
The 26th European Meeting of Cultural Journals
Conversano, 3-6 October 2014
Eurozine's 2014 conference in southern Italy, not far from Lampedusa, addressed both EU refugee and immigration policies and intellectual partnerships across the Mediterranean. Speakers included Italian investigative journalist Fabrizio Gatti and Moroccan feminist and Nobel Peace Prize nominee Rita El Khayat. [more]

Multimedia     click for more
Multimedia section including videos of past Eurozine conferences in Vilnius (2009) and Sibiu (2007). [more]

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