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Eurozine Review

The Lilliput syndrome

'Transit' responds to Russia's politics of fear; 'New Eastern Europe' condemns human rights pragmatism; 'Index on Censorship' defends the right to anonymity; 'Vikerkaar' talks trees; 'Czas Kultury' considers conspiracy theories; 'Ord&Bild' reports on heritage wars; 'dérive' confronts the new housing question; 'Letras Libres' declines populisms; and 'Vagant' has no fun with industrial. [ more ]

Katja Garmasch

A new start that's full of contradictions

Andrei Sannikov

Existence without life

Klas Grinell

Carpets and ceramics

Jane Costlow

The dissident history of trees

Eurozine Review

Eurozine Review

The Lilliput syndrome

'Transit' responds to Russia's politics of fear; 'New Eastern Europe' condemns human rights pragmatism; 'Index on Censorship' defends the right to anonymity; 'Vikerkaar' talks trees; 'Czas Kultury' considers conspiracy theories; 'Ord&Bild' reports on heritage wars; 'dérive' confronts the new housing question; 'Letras Libres' declines populisms; and 'Vagant' has no fun with industrial.

Eurozine Review

The violent closet?

Eurozine Review

Peak democracy?

Eurozine Review

Critical junctures

Eurozine Review

The narrowest of margins

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Revolver Revue Self-description
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The magazine Revolver Revue came into existence in January 1985. The name of the journal has a lot of associations -- not only risk and courage, but sensationalism (in colloquial Czech the adjective "revolverový" is associated with tabloid journalism), as well as the idea of a mechanism like the revolving cylinder of the weapon, like samizdat publications moving around among people and firing off their sharp messages. This mixture of both seriousness and irony in the approach that the authors around Revolver Revue applied to their own work was and is typical of the magazine: the logo of the magazine was initially the "Kosíre Madonna", an advertising pinup framed above the bar of the Prague pub Klamovka, where the editorial board used to meet.

A circle of collaborators and authors of Revolver Revue formed one of the most striking new generations to appear on the scene in recent decades, especially in the fields of poetry and prose. The magazine published literary texts that the official state publishing houses, for a variety of reasons, were unwilling to handle. Another striking feature of Revolver Revue was the emphasis on the appearance of the magazine. Unlike other samizdat publications, Revolver Revue had a well-designed cover, was bound, and included illustrations.

In November 1989, the editors who had been producing Revolver Revue drew on their experience to create the Independent Press Centre, which issued its Information Service during the "Velvet Revolution". The first legally printed issue of the magazine for literature and art Revolver Revue came out in December 1990.

At the present time, Revolver Revue has about 300 pages and appears four times a year. New technology, undreamt of in the samizdat days, enables us to pay considerable attention to art, in the form of thematic blocks that are comparable to short monographs. But it is typical of Revolver Revue that in this realm too it betrays no interest in the trends and fashions of the moment and offers space to artists who, despite their unquestionable quality, are for one reason or another ignored by the general public and official art institutions. In 1995-2004, the editors put out a second, quite separate magazine: the Critical Supplement, devoted to criticism on art, literature, film, theatre, television, and social and political events. Since 2005, Revolver Revue includes a critical part in every issue.

self-description in Czech

Focal points     click for more

Ukraine: Beyond conflict stories
Follow the critical, informed and nuanced voices that counter the dominant discourse of crisis concerning Ukraine. A media exchange project linking Ukrainian independent media with "alternative" media in Germany, France, Spain, Italy and Greece. [more]

Ukraine in European dialogue
Post-revolutionary Ukrainian society displays a unique mix of hope, enthusiasm, social creativity, collective trauma of war, radicalism and disillusionment. Two years after the country's uprising, the focal point "Ukraine in European dialogue" takes stock. [more]

Culture and the commons
Across Europe, citizens are engaging in new forms of cultural cooperation while developing alternative and participatory democratic practices. The commons is where cultural and social activists meet a broader public to create new ways of living together. [more]

2016 Jean Améry Prize collection
To coincide with the awarding of the 2016 Jean Améry Prize for European essay writing, Eurozine publishes essays by authors nominated for the prize, including by a representative selection of Eurozine partner journals. [more]

The politics of privacy
The Snowden leaks and the ensuing NSA scandal made the whole world debate privacy and data protection. Now the discussion has entered a new phase - and it's all about policy. A focal point on the politics of privacy: claiming a European value. [more]

Beyond Fortress Europe
The fate of migrants attempting to enter Fortress Europe has triggered a new European debate on laws, borders and human rights. A focal point featuring reportage alongside articles on policy and memory. With contributions by Fabrizio Gatti, Seyla Benhabib and Alessandro Leogrande. [more]

Russia in global dialogue
In the two decades after the end of the Cold War, intellectual interaction between Russia and Europe has intensified. It has not, however, prompted a common conversation. The focal point "Russia in global dialogue" seeks to fuel debate on democracy, society and the legacy of empire. [more]

Eurozine BLOG

On the Eurozine BLOG, editors and Eurozine contributors comment on current affairs and events. What's behind the headlines in the world of European intellectual journals?
In memoriam: Ales Debeljak (1961-2016)
On 28 January 2016, Ales Debeljak died in a car crash in Slovenia. He will be much missed as an agile and compelling essayist, a formidable public speaker and a charming personality. [more]

Conferences     click for more

Eurozine emerged from an informal network dating back to 1983. Since then, European cultural magazines have met annually in European cities to exchange ideas and experiences. Around 100 journals from almost every European country are now regularly involved in these meetings.
Mobilizing for the Commons
The 27th European Meeting of Cultural Journals
Gdańsk, 4-6 November 2016
The Eurozine conference 2016 in Gdańsk will frame the general topic of solidarity with a focus on mobilizing for the commons. The conference will take place in the European Solidarity Centre in Gdańsk thus linking contemporary debates to the history of a broad, non-violent, anti-communist social movement which has started in the city's shipyard in 1980. [more]

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If you appreciate Eurozine's work and would like to support our contribution to the establishment of a European public sphere, see information about making a donation.

Time to Talk     click for more

Time to Talk, a network of European Houses of Debate, has partnered up with Eurozine to launch an online platform. Here you can watch video highlights from all TTT events, anytime, anywhere.
Neda Deneva, Constantina Kouneva, Irina Nedeva and Yavor Siderov
Does migration intensify distrust in institutions?
How do migration and institutional mistrust relate to one another? As a new wave of populism feeds on and promotes fears of migration, aggrandising itself through the distrust it sows, The Red House hosts a timely debate with a view to untangling the key issues. [more]

Editor's choice     click for more

Jürgen Habermas, Michaël Foessel
Critique and communication: Philosophy's missions
Decades after first encountering Anglo-Saxon perspectives on democracy in occupied postwar Germany, Jürgen Habermas still stands by his commitment to a critical social theory that advances the cause of human emancipation. This follows a lifetime of philosophical dialogue. [more]

Literature     click for more

Karl Ove Knausgĺrd
Out to where storytelling does not reach
To write is to write one's way through the preconceived and into the world on the other side, to see the world as children can, as fantastic or terrifying, but always rich and wide-open. Karl Ove Knausgĺrd on creating literature. [more]

Jonathan Bousfield
Growing up in Kundera's Central Europe
Jonathan Bousfield talks to three award-winning novelists who spent their formative years in a Central Europe that Milan Kundera once described as the kidnapped West. It transpires that small nations may still be the bearers of important truths. [more]

Literary perspectives
The re-transnationalization of literary criticism
Eurozine's series of essays aims to provide an overview of diverse literary landscapes in Europe. Covered so far: Croatia, Sweden, Austria, Estonia, Ukraine, Northern Ireland, Slovenia, the Netherlands and Hungary. [more]

Debate series     click for more

Europe talks to Europe
Nationalism in Belgium might be different from nationalism in Ukraine, but if we want to understand the current European crisis and how to overcome it we need to take both into account. The debate series "Europe talks to Europe" is an attempt to turn European intellectual debate into a two-way street. [more]

Multimedia     click for more
Multimedia section including videos of past Eurozine conferences in Vilnius (2009) and Sibiu (2007). [more]

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