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20.10.2014
Geert Lovink, César Rendueles

We do not prefer Facebook

A conversation with Spanish social critic César Rendueles

Let's not confuse contemporary social atomization with freedom as a complex project that requires some degree of cooperation and mutual support, says César Rendueles. And reject, once and for all, the technological ideology that extols cooperation and community building only when these are mediated by digital technologies. [ more ]

15.10.2014
Eurozine Review

This revolutionary moment

15.10.2014
Warren Karlenzig, Almantas Samalavicius

Winds of urban change

15.10.2014
Vladimir Yermakov

Sergei Dovlatov, a dissident sans idea

15.10.2014
Sonja Pyykkö

Evading power

New Issues


20.10.2014

Esprit | 10/2014

15.10.2014

Transit | 45 (2014)

Maidan - Die unerwartete Revolution [Maidan - The unexpected revolution]

Eurozine Review


15.10.2014
Eurozine Review

This revolutionary moment

"Index" looks into the future of journalism; "Transit" keeps alive the memory of the Maidan; in "Syn og Segn", climate optimist Kristin Halvorsen calls for a global price tag on pollution; "Kulturos barai" talks to urban ecologist Warren Karlenzig; "Rigas Laiks" congratulates Reykjavik's first anarchist mayor; "Merkur" discusses photography and the definition of artistic value; "La Revue nouvelle" braces itself for more European political deadlock; "Kritiikki" profiles Russian émigré author Sergei Dovlatov; and "Nova Istra" remembers the Croatian émigré poet Viktor Vida.

17.09.2014
Eurozine Review

Independence in an age of interdependence

03.09.2014
Eurozine Review

Was Crimea a preliminary exercise?

06.08.2014
Eurozine Review

What are you doing here?

23.07.2014
Eurozine Review

The world's echo system



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Revolver Revue Self-description
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The magazine Revolver Revue came into existence in January 1985. The name of the journal has a lot of associations -- not only risk and courage, but sensationalism (in colloquial Czech the adjective "revolverový" is associated with tabloid journalism), as well as the idea of a mechanism like the revolving cylinder of the weapon, like samizdat publications moving around among people and firing off their sharp messages. This mixture of both seriousness and irony in the approach that the authors around Revolver Revue applied to their own work was and is typical of the magazine: the logo of the magazine was initially the "Kosíre Madonna", an advertising pinup framed above the bar of the Prague pub Klamovka, where the editorial board used to meet.

A circle of collaborators and authors of Revolver Revue formed one of the most striking new generations to appear on the scene in recent decades, especially in the fields of poetry and prose. The magazine published literary texts that the official state publishing houses, for a variety of reasons, were unwilling to handle. Another striking feature of Revolver Revue was the emphasis on the appearance of the magazine. Unlike other samizdat publications, Revolver Revue had a well-designed cover, was bound, and included illustrations.

In November 1989, the editors who had been producing Revolver Revue drew on their experience to create the Independent Press Centre, which issued its Information Service during the "Velvet Revolution". The first legally printed issue of the magazine for literature and art Revolver Revue came out in December 1990.

At the present time, Revolver Revue has about 300 pages and appears four times a year. New technology, undreamt of in the samizdat days, enables us to pay considerable attention to art, in the form of thematic blocks that are comparable to short monographs. But it is typical of Revolver Revue that in this realm too it betrays no interest in the trends and fashions of the moment and offers space to artists who, despite their unquestionable quality, are for one reason or another ignored by the general public and official art institutions. In 1995-2004, the editors put out a second, quite separate magazine: the Critical Supplement, devoted to criticism on art, literature, film, theatre, television, and social and political events. Since 2005, Revolver Revue includes a critical part in every issue.

self-description in Czech
 

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Focal points     click for more

Russia in global dialogue

http://www.eurozine.com/comp/focalpoints/eurocrisis.html
In the two decades after the end of the Cold War, intellectual interaction between Russia and Europe has intensified. It has not, however, prompted a common conversation. The focal point "Russia in global dialogue" seeks to fuel debate on democracy, society and the legacy of empire. [more]

Ukraine in focus

http://www.eurozine.com/comp/focalpoints/publicsphere.html
Ten years after the Orange Revolution, Ukraine is in the throes of yet another major struggle. Eurozine provides commentary on events as they unfold and further articles from the archive providing background to the situation in today's Ukraine. [more]

The ends of democracy

http://www.eurozine.com/comp/focalpoints/democracy.html
At a time when the global pull of democracy has never been stronger, the crisis of democracy has become acute. Eurozine has collected articles that make the problems of democracy so tangible that one starts to wonder if it has a future at all, as well as those that return to the very basis of the principle of democracy. [more]

The EU: Broken or just broke?

http://www.eurozine.com/comp/focalpoints/eurocrisis.html
Brought on by the global economic recession, the eurocrisis has been exacerbated by serious faults built into the monetary union. Contributors discuss whether the EU is not only broke, but also broken -- and if so, whether Europe's leaders are up to the task of fixing it. [more]

Time to Talk     click for more

Time to Talk, a network of European Houses of Debate, has partnered up with Eurozine to launch an online platform. Here you can watch video highlights from all TTT events, anytime, anywhere.
Dessislava Gavrilova, Jo Glanville et al.
The role of literature houses in protecting the space for free expression

http://www.eurozine.com/timetotalk/european-literature-houses-meeting-2014/
This summer, Time to Talk partner Free Word, London hosted a debate on the role that literature houses play in preserving freedom of expression both in Europe and globally. Should everyone get a place on the podium? Also those representing the political extremes? [more]

Eurozine BLOG

On the Eurozine BLOG, editors and Eurozine contributors comment on current affairs and events. What's behind the headlines in the world of European intellectual journals?
Simon Garnett
Britain flouts the European Court of Justice

http://www.eurozine.com/blog/
The UK has passed legislation on data retention that flouts European concerns about privacy. The move demonstrates extraordinary arrogance not only towards the Court of Justice of the European Union but towards the principle of parliamentary deliberation in Britain, writes Simon Garnett. [more]

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Editor's choice     click for more

William E Scheuerman
Civil disobedience for an age of total surveillance
The case of Edward Snowden

http://www.eurozine.com/articles/2014-04-18-scheuerman-en.html
Earlier civil disobedients hinted at our increasingly global condition. Snowden takes it as a given. But, writes William E. Scheuerman, in lieu of an independent global legal system in which Snowden could defend his legal claims, the Obama administration should treat him with clemency. [more]

Literature     click for more

Olga Tokarczuk
A finger pointing at the moon

http://www.eurozine.com/articles/2014-01-16-tokarczuk-en.html
Our language is our literary destiny, writes Olga Tokarczuk. And "minority" languages provide a special kind of sanctuary too, inaccessible to the rest of the world. But, there again, language is at its most powerful when it reaches beyond itself and starts to create an alternative world. [more]

Piotr Kiezun, Jaroslaw Kuisz
Literary perspectives special: Witold Gombrowicz

http://www.eurozine.com/articles/2013-08-16-kuisz-en.html
The recent publication of the private diary of Witold Gombrowicz provides unparalleled insight into the life of one of Poland's great twentieth-century novelists and dramatists. But this is not literature. Instead: here he is, completely naked. [more]

Literary perspectives
The re-transnationalization of literary criticism

http://www.eurozine.com/comp/literaryperspectives.html
Eurozine's series of essays aims to provide an overview of diverse literary landscapes in Europe. Covered so far: Croatia, Sweden, Austria, Estonia, Ukraine, Northern Ireland, Slovenia, the Netherlands and Hungary. [more]

Debate series     click for more

Europe talks to Europe

http://www.eurozine.com/comp/europetalkstoeurope.html
Nationalism in Belgium might be different from nationalism in Ukraine, but if we want to understand the current European crisis and how to overcome it we need to take both into account. The debate series "Europe talks to Europe" is an attempt to turn European intellectual debate into a two-way street. [more]

Conferences     click for more

Eurozine emerged from an informal network dating back to 1983. Since then, European cultural magazines have met annually in European cities to exchange ideas and experiences. Around 100 journals from almost every European country are now regularly involved in these meetings.
Law and Border. House Search in Fortress Europe
The 26th European Meeting of Cultural Journals
Conversano, 3-6 October 2014

http://www.eurozine.com/comp/conversano2014.html
Taking place in southern Italy, not far from Lampedusa, this year's Eurozine conference will address both EU refugee and immigration policies and intellectual partnerships across the Mediterranean. Confirmed speakers include Italian investigative journalist Fabrizio Gatti and Moroccan feminist and Nobel Peace Prize nominee Rita El Khayat. [more]

Multimedia     click for more

http://www.eurozine.com/comp/multimedia.html
Multimedia section including videos of past Eurozine conferences in Vilnius (2009) and Sibiu (2007). [more]


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