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08.02.2012
Jonathan Metzger

We are not alone in the universe

A new type of political ecology may lend the Left a broad political platform. But we must first acknowledge wills that are not human. Jonathan Metzger explains why "more-than-humanism" calls for a complete rethink in policy, planning and the law. [ more ]

08.02.2012
Eurozine Review

Naive, the hawks would say

08.02.2012
Berthold Franke

Anger at Kohl

03.02.2012
Daniel Daianu

Markets and society


New Issues


08.02.2012

Merkur | 2/2012

07.02.2012

Springerin | 1/2012

Bon Travail
07.02.2012

L'Homme | 2/2011

Geld-Subjekte
07.02.2012

Res Publica Nowa | 16 (2011)

The tyranny of opinion
07.02.2012

Arena | 1/2012

På apornas planet [On the planet of the apes]

Eurozine Review


08.02.2012
Eurozine Review

Naive, the hawks would say

"Ny Tid" says that only diplomacy can defuse the Iranian bomb; "NAQD" warns that the Arab revolutions are not as feminist as the West thinks; "Blätter" wants an enquiry into institutional racism in Germany; "Letras Libres" pays its respects to a rare revolutionary; "Arena" asks the bane of the Norwegian far-Right to explain Breivik; "Res Publica Nowa" struggles for objectivity amidst the tyranny of opinion; "Merkur" is still angry with Kohl; Springerin observes how artists lead the market when it comes to precarity; "L'Homme" finds that international development begins in the home; and "Vikerkaar" reads 150 years of Estonian thanatography.

25.01.2012
Eurozine Review

The organized upperworld

11.01.2012
Eurozine Review

A new way to talk politics

21.12.2011
Eurozine Review

"Transparency" in scare quotes

07.12.2011
Eurozine Review

Itching powder for the Left



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Nova Istra Self-description
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Nova Istra, a literary and cultural journal, first appeared in the summer of 1996 in Pula and has since been published quarterly. It is one of the leading Croatian journals of its kind, published by the Istrian branch of the Croatian Writers' Union, situated in the fifth largest city in the Republic of Croatia -- Pula. The city is culturally, but also less specifically, the social centre of the Adriatic peninsula Istria, the most western and one of the most developed Croatian Regions.

Nova Istra mostly publishes literary pieces, both by Croatian authors and in translation: prose, poetry, drama, essays, studies, reviews, etc. A culturological approach to contemporary and traditional subject matter is particularly favoured. The journal regularly, or at least often, publishes contributions from other art media: film, visual arts, theatre, music (mostly jazz), in addition to contributions from the social sciences and humanities: philosophy and philosophy of science, history, archaeology, ethnology, etc. Young authors frequently appear on the pages of the journal. However, one of the journal's policies since the first issue has been the aesthetic and generational openness towards permanent contributors and their contributions.Nova Istra, as a culturological project, started its own publishing trade in 1997 (poetry and prose anthologies, bibliographies, translations, collected papers). We would like to single out the Soljan Anthology, a collection of literary-critical and literary-theoretical papers on the most significant and translated Croatian author of the second half of the twentieth century -- Antun Soljan.

Pieces written by the most famous contemporary Croatian authors, alongside many talented young writers, have been published in Nova Istra. We single out the contributions on prominent Croats who have notably enriched the European science and culture of their time, some of them being Rugjer Boikovic, Herman Dalmatin (Hermanus Dalmata), and Matija Vlacic Ilirik (Matthias Flacius Illyricus).

The following contributors' pieces have been translated into foreign languages: Nedjeljko Fabrio, Zoran Feric, Slavko Mihalic, Petar Segedin, as well as the papers on the works of Antun Soljan, Nikola Sop, Tin Ujevic, and others. The journal has in a few volumes published a selection of recent Croatian short stories (The New Croatian Prose).

In the first fifteen years of its publication, 40 issues of Nova Istra have been published, containing among other contributions larger themes, or more detailed pieces on:

- globalization
- (anti)globalization & culture
- identity and contemporariness
- intercultural communication
- poetry of North American Indians
- pluralism of cultures and intercultural understanding
- contemporary Russian short prose
- "spiritual" songs of North American Christians
- contemporary prose of Trieste
- art and ideology
- women's prose in Russia in the 1990s
- surrealism
- bio-ethical discrimination of women
- anti-globalization movements
- Lithuanian literature and culture
- contemporary visual art
- history of women's drama
- extermination of certain nations in the Soviet Union in the twentieth century
- new European drama
- modern Russian unrestricted verse
- contemporary Czech poetry
- contemporary Jewish poetry
- Sam Shepard
- anthology of Kurdish poetry
- modern and post-modern architecture
- city-essay
- how to "read" Europe?
- Danish modernists
- Europeanism and "frontierism"
- the influences of William Blake's poetry on Jim Morrison's rock music
- love (on love)
- against totalitarianism (Stalin, Tito...)
- Ricœur's hermeneutics of imagination
- the authority...
- the historical-dialectical game of escapism and terrorism
- the causes of crisis in modern democratic states
- manipulation
- deconstruction and performativeness of body

In 1998, being thus the first in Croatia, and then in 1999, the journal organized two culturological conferences called "Reading the Signs of Time", which dealt with the turn of the new millennium from the perspective of the arts, humanities, natural sciences, theology, and other fields.

We wish to single out translational literature, in other words essayist and critical approaches to works of many world-famous writers, authors, and thinkers -- both contemporary ones, as well as those whose works, belonging mostly to the western but also to other cultures and civilizations, become in their roots the public good of all people and the common heritage of mankind.

This is why you will come across the Croatian translations of the following authors, or the critical texts, studies, and reviews about them, on the pages of Nova Istra :

Naja Marie Aidt, Alain (Emile Chartier), Vladimir Alejnikov, Monica Ali, Dante Alighieri, Isabel Allende, Yehuda Amichai, Roberto Ampuero, Louis Aragon, Hans Arp, Antonin Artaud, Paolo Badini, Hermann Bahr, Hugo Ball, Alessandro Baricco, Franz Bartelt , Henry Bauchau, Samuel Beckett, Alois Beer, Frederic Beigbeder, Julien Benda, Walter Benjamin, Émile Benveniste, Nikolaj Berdjajev, Thomas Bernhard, Giuseppe Berto, Alain Besancon, Ugo Betti, Maurice Blanchot, André Breton, Leons Briedis, Enrico Brizzi, Josif Brodski, Anita Brookner, Pascal Bruckner, Georg Büchner, Anthony Burgess, Richard F. Burton, Dino Buzzati, Antonia Susan Byatt, Massimo Cacciari, Italo Calvino, Giorgio Caproni, Albert Camus, Paola Capriolo, Ernst Cassirer, Juana Castro, Francesco M. Cataluccio, Louis-Ferdinand Céline, Maurizio Chiarutini, Leonard Cohen, Philip J. Cohen, Peter Coles, John Coltrane, Julian Cope, Józef Czapski, Salvador Dali, Robertson Davies, Miles Davis, Ales Debeljak, Alain de Botton, Per Denez, D.A.F. de Sade, Fernando Dias Antunes, Wilhelm Dilthey, Tove Ditlevsen, Apostolos Doxiadis, Paul Laurence Dunbar, Bob Dylan, Ivan Dzjuba, Terry Eagleton, Umberto Eco, Albert Einstein, Mircea Eliade, Paul Eluard, Desiderius Erasmus, Ramon Diaz Eterovic, Alain Finkielkraut, Dario Fo, Alex Garland, Gajto Gazdanov, Beniamino Gigli, William Gillespie, Allen Ginsberg, René Girard, Johann Wolfgang von Goethe, Emma Goldman, Witold Gombrowicz, Georgi Gospodinov, Romualdas Granauskas, Günter Grass, Vivian Green, Danko Grlic, Boris Groys, Leonid Gubanov, Margherita Guidacci, Pedro Juan Gutierrez, James W. Hackett, Gérard Haddad, Claude Hagčge, Béla Hamvas, Daniil Harms, Vaclav Havel, Stephen Hawking, Martin Heidegger, Juan Mihovilovich Hernández, Alfred Hitchcock, Michel Houellebecq, Pavel Huelle, Richard Hülsenbeck, Eugene Ionesco, Igor Isakovski, Jaroslaw Iwaszkiewicz, Fleur Jaeggy, Ernst Jandl, Bruno Jasienski, Karl Jaspers, Viktor Jerofejev, James Joyce, Imre Kertesz, Danilo Kis, Radosław Kobierski, Aleksandar Simonovic Korotko, Srecko Kosovel, Karl Kraus, Marko Kravos, Jurij Kublanovski, Milan Kundera, Hari Kunzru, Andrej Kurkov, Katalin Ladik , Sydney Lea, Arian Leka, Kveta Legatova, Gonzalo Lema, Rosa Lentini, David Lodge, Franco Loi, Sam J. Lundwall, Curzio Malaparte, Terrence Malick, Saadat Hasan Manto, Sándor Márai, Laura Marchig , Peter Markus, Gabriel Garcia Marquez, Robert Marteau, Yann Martel, Walter Mehring, Dieter Mersch, Arvo Mets, Gustav Meyrink, Kenji Miyazawa, Czeslaw Milosz, Boleslaw Micinski, Patrick Modiano, Fulvio Monai, Totti dal Monte, Enrico Morovich, Sergej Morozoff, Toni Morrison, Gustav Munch-Petersen, Diego Munoz Valenzuela, Haruki Murakami, Girolamo Muzio, Azar Nafisi, Jozsef Nagy, Pablo Neruda, Max Nettlau, Saul Newman, Mikael Niemi, Friedrich Nietzsche, Rui Nunes, Michael Ondaatje, Iztok Osojnik, Josip Osti, Amos Oz, Charlie Parker-Bird, Boris Pasternak, Lech Pazdzierski, Viktor Pelevin, Saint-John Perse, Fernando Pessoa, Bernhard Peters, Ljudmila Petrusevskaja, Francis Picabia, Andrej Platonovi Platonov, Irina Poljanskaja, Paula von Preradovic, Pascal Quignard, Élisée Reclus, Carol Reed, Georges Ribemont-Dessaignes, Paul Ricœur, Gabriel Rosenstock, Pentti Saarikoski, Ango Sakaguchi, Abdus Salam, Tomaz Salamun, Rifat Sallam, José Saramago, Raffaella Sarti, Gino Scartaghiande, Jens August Schade, Bruno Schulz, Kurt Schwitters, Ridley Scott, Walter Serner, Sam Shepard, Martin Sorescu, Xhevahir Spahiu, Steven Spielberg, Emil Staiger, Andrzej Stasiuk, Ilja Stogoff, Italo Svevo, Wislawa Szymborska, Antonio Tabucchi, Susanna Tamaro, Domenico Tarizzo, Torquato Tasso, Henry D. Thoreau, Uwe Timm, Fulvio Tomizza, Isacco Turina, Tristan Tzara, Ljudmila Ulickaja, Manuel Vargas, César Vallejo, Aleksandar Velicanski, Boris Vian, Marina Visneveckaja, Demetrio Vittorini, Kath Walker (Oodgeroo), Aleksander Wat, Adam Wazyk, Johannes Wickert, Oscar Wilde, Karol Wojtyla, Robert Paul Wolff, Banana Yoshimoto, Marian Zdziechowski, Viktor Zenchenko, Péter Zilahy, Ciril Zlobec ...
 

Focal points     click for more

The EU: Broken or just broke?

http://www.eurozine.com/comp/focalpoints/eurocrisis.html
Brought on by the global economic recession, the eurocrisis has been exacerbated by serious faults built into the monetary union. In a new Eurozine focal point, contributors discuss whether the EU is not only broke, but also broken -- and if so, whether Europe's leaders are up to the task of fixing it. [more]

European histories (2): Concord and conflict

http://www.eurozine.com/comp/focalpoints/eurohistories2.html
Broadening the question of a common European narrative beyond the East-West divide. How are contested interpretations of historical and recent events activated in the present, uniting and dividing European societies? [more]

Changing media -- Media in change

Media change is about more than just the "newspaper crisis" and the iPad: property law, privacy, free speech and the functioning of the public sphere are all affected. On a field experiencing profound and constant transformation. [more]

Support Eurozine     click for more

If you appreciate Eurozine's work and would like to support our contribution to the establishment of a European public sphere, see information about making a donation.

Editor's choice     click for more

Katajun Amirpur
Islam and democracy
The history of an approximation

http://www.eurozine.com/articles/2011-12-19-amirpur-en.html
In Iran, official revolutionary dogma has obliged "post-Islamist" philosophers to provide profound justifications for Islam's compatibility with democracy. Katajun Amirpur puts contemporary Iranian thinking on religion and politics in the context of Khomeini-era anti-westernism. [more]

Per Wirten
Where were you when Europe fell apart?

Too many Europeans have too long avoided the question of Europe, says Swedish writer Per Wirten. To prevent the EU from turning into a "post-democratic regime of bureaucrats", intellectuals need to stop mumbling and take the fear of Europe seriously. [more]

Valeriu Nicolae
Change must start from within
Roma integration: EU rhetoric and institutional reality

European member states are answerable to the European Commission regarding the integration of Roma. But what are the chances of national policies succeeding if structural anti-Roma racism exists within European institutions themselves? [more]

Debate series     click for more

Europe talks to Europe

http://www.eurozine.com/comp/europetalkstoeurope.html
Nationalism in Belgium might be different from nationalism in Ukraine, but if we want to understand the current European crisis and how to overcome it we need to take both into account. The debate series "Europe talks to Europe" is an attempt to turn European intellectual debate into a two-way street. [more]

Literature     click for more

Steve Sem-Sandberg
Even nameless horrors must be named

http://www.eurozine.com/articles/2011-09-23-semsandberg-en.html
It is high time to lift the aesthetic state of emergency that has surrounded witness literature for so long, writes Steve Sem-Sandberg. It is not important who writes, nor even what their motives are. What counts is the "literary efficiency". [more]

Literary perspectives
The re-transnationalization of literary criticism

Eurozine's series of essays aims to provide an overview of diverse literary landscapes in Europe. Covered so far: Croatia, Sweden, Austria, Estonia, Ukraine, Northern Ireland, Slovenia, the Netherlands and Hungary. [more]

Behind the headlines     click for more

Mykola Riabchuk
Tymoshenko: Wake-up call for the EU

The EU shouldn't be surprised by the Tymoshenko verdict: its support of anything nominally reformist has been perceived as acceptance of a range of repressions, argues Mykola Riabchuk. [more]

Conferences     click for more

Eurozine emerged from an informal network dating back to 1983. Since then, European cultural magazines have met annually in European cities to exchange ideas and experiences. Around 100 journals from almost every European country are now regularly involved in these meetings.
Changing media, Media in change
The 23rd European Meeting of Cultural Journals
Linz, 13-16 May 2011

http://www.eurozine.com/comp/linz2011.html
The 23rd European Meeting of Cultural Journals took place in Linz, Austria, in May 2011. Under the heading "Changing media, Media in change", the conference explored the challenges and transformations facing media in the wake of the digital revolution. [more]

Multimedia     click for more

http://www.eurozine.com/comp/multimedia.html
Multimedia section including videos of past Eurozine conferences in Vilnius (2009) and Sibiu (2007). [more]


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