15 (2010)
Grey Goo Grimoire

Amidst a general acceptance of the cash crisis afflicting the ICA as an accident of the recession, and a rush into 'hairshirt' institutional self-critique as a means to deflect real scrutiny, JJ Charlesworth uncovers a catalogue of avoidable mistakes and the free-market, lifestyle thinking behind them
Dusting off the tedium and ash deposited by Hollywood's recent spate of catastrophe movies, Evan Calder Williams takes aim at their world-affirming pessimism and calls for some real apocalypse
Crises tend to generate apocalyptic dreams and nightmares. Through a reappraisal of 20th century anti-capitalist thought, Benjamin Noys urges us to critically re-think how such an apocalyptic tone operates within radical analyses of the current crisis
Where 'fixing' the future is a game for social engineers, writers Matthew Fuller and Anthony Iles prefer to open out the present, egg on its energies, taunt immanence...
Ben Pritchett dives into the alphabet soup of Brian Rotman's Becoming Beside Ourselves and Joanna Zylinska's Bioethics in the Age of New Media and picks apart the jumbled relations between ethics, new media and subjectivity
Two recently published books -- Anna Minton's Ground Control and This is Not a Gateway's Critical Cities -- take stock of the accumulated effects of New Labour's 'urban renaissance'. In his double review, Owen Hatherley sees the tired politics of micro-resistance go head-to-head with some much needed materialist geography
By taking everything as possible material for improvisation (not just sounds, but ideas, affects, power relations, hidden structures contained within the room...) it is possible to develop a practice of 'extreme site-specificity'. Noise artist Mattin probes the enigma of radical performativity
Amidst the general eco-panic and its commodification, Ilya Lipkin travelled to the Copenhagen Summit to witness capitalism's first last chance at preserving a climate conducive to its growth














