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13.05.2008
Antonio Negri, Judith Revel

The discovery of the communal

A manifesto

"Bodies and minds, once the cannon fodder of production, have become capitalism's cannonballs. Capitalism can no longer exist without the communal; with the communal, opportunities for resistance increase infinitely. That is the paradox of an epoch that has discarded the rags of modernity." [ more ]

09.05.2008
Jonathan Barnes, Myles Fredric Burnyeat, Raymond Geuss, Barry Stroud

Modes of philosophizing

08.05.2008
Rasa Balockaite

Lithuania in Europe, Europe in Lithuania

07.05.2008
Chris Reynolds

May '68: a contested history

06.05.2008
Xavier Rubert de Ventós, Daniel Gamper, Mercč Rius

"If I don't say what I think, what's the point of being mad?"


New Issues


13.05.2008

Host | 04/2008

09.05.2008

Esprit | 5/2008

Autour de 1968 : Années utopiques, années parasites ? [Around 1968: Years of utopia or years of freeloading?]

Eurozine Review


29.04.2008
Eurozine Review

The centre is everywhere

"Arche" looks warily at the Belarusian thaw; "Magyar Lettre" gets to the heart of the central European city; "Kulturos barai" criticizes the culture of groceries; "Fronesis" takes counsel on the "unhappy marriage" between feminism and the Left; "A Prior" looks at monuments that won't melt into air; "Revista Crítica" sees the political potential of bio-art; "Critique & Humanism" analyzes neophilia and neophobia; "Dialogi" lashes out at the Slovenian press; and "Glänta" is missing links.

15.04.2008
Eurozine Review

A mother since birth?

01.04.2008
Eurozine Review

Free minds before free speech

11.03.2008
Eurozine Review

Hannah Arendt on '68

19.02.2008
Eurozine Review

An acronym for the homeless


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The Hungarian Quarterly 189 (2008)


189 (2008)

The Hungarian Quarterly
 

László Végel
Introduction to the bastard novel
Magda Székely
Poems, translated by Daniel Hoffman
An interview with Klára Szerb
Who was Alexander Lenard?
Alexander Lenard
A day in the invisible house (extracts)
Péter Siklós
The Klára Szerb -- Alexander Lenard correspondence
The 1965 letters: a selection
András Beck
Workdays and wonders
Antal Szerb
Hungary in the older English literature

ART

Ilona Sármány Parsons
A plea for Vaszary
Julianna P. Szűcs
The irony of Frigyes Kőnig

INTERVIEW

Imre Kertész in Conversation with Zsigmond Sándor Papp
Why won't he tell a proper story?

CLOSE-UP

Gábor Miklósi
Schengen blues

SCIENCE

István Hargittai
Edward Teller -- guardian of freedom or Dr Strangelove?
Tibor Frank
Memory and history: visiting Edward Teller
János Kirz
Major players

BOOKS & AUTHORS

Tim Wilkinson
All that fall: upsides of the shorter fictions of Imre Kertész
Ivan Sanders
Eternal operetta (András Gerő, Dorottya Hargitai and Tamás Gajdó)

THEATRE & FILM

Tamás Koltai
The war of all against all (László Márton, György Spiró)
Shane Danielsen in Conversation with Dávid Dercsényi
Telling stories would be a good start
Erzsébet Bori
A tower at night (Béla Tarr)

MUSIC

Klára Hamburger
Emilie (Merian)-Genast, Liszt's confidante


Cover: The Pest Bank Danube Promenade by János Vaszary, c. 1934, oil on canvas, 61 x 72 cm. Courtesy of Móra Ferenc Museum, Szeged.


www.hungarianquarterly.com  

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