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Artistas Unidos Revista 18 (2007)
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18 (2007)
Antonio Tarantino, Atelier européen de la Traductio (AET), A Mata [Littlewoods] de Jesper Halle

Artistas Unidos Revista
 

ANTONIO TARANTINO -- DOIS ACTOS PROFANOS

ANTONIO TARANTINO -- TWO PROFANE ACTS
Jorge Silva Melo
"São os tristes, os vis, os oprimidos" -- Antonio Tarantino na Capela das Mónicas
The sad, the vile, the oppressed -- Antonio Tarantino at the Capela das Mónicas
Conversa com / A talk with Antonio Tarantino
Escrever só quando é necessário, quando a coisa tem de ser escrita
Write only when necessary, when something has to be written
José Tolentino Mendonça
PROFANO E SAGRADO
Profane and sacred
Elena De Angeli
O caso Tarantino
The Tarantino case

ATELIÊ EUROPEU DA TRADUÇÃO (AET) -- 6 anos de trabalho

ATELIER EUROPÉEN DE LA TRADUCTIO (AET) -- 6 years
Jacques Le Ny
Atelier Européen de la Traduction
Sebastiana Fadda
Atelier Européen de la Traduction -- Mediador do Intercâmbio Teatral Internacional
Atelier Européen de la Traduction -- Mediator of Cultural Theatre Exchange

A MATA de Jesper Halle -- Noruega e Portugal

LITTLEWOODS by Jesper Halle -- Norway and Portugal
***
Noruegueses em Almada -- Há cinco anos, quando as pessoas ouviam a palavra 'texto' ficavam horrorizadas
Norwegian in Almada -- Five years ago, when people heard the word "text" they were scared
***
A Mata -- Não contem a ninguém, mas acho que as minhas peças têm um problema
Littlewoods -- Don't tell anyone but I think my plays have a problem
Conversa com / A talk with Pedro Carraca
Todos os espectáculos nos dão praze, mas gozo real e prazer puro só um em cada cinco e A Mata foi uma dessas experiências
All plays give us pleasure, but real fun and pure pleasure, only one out of five, and Littlewoods was one of those experiences
***
Conversa com Daniel Fernandes e Ricardo Carolo
A talk with Daniel Fernandes and Ricardo Carolo
Franzisca Aarflot
Pequena história do Åpne Teater
Short history of Det Åpne Teater
IdaLou Larsen
O teatro norueguês em Portugal -- uma apresentação
Norwegian theatre in Portugal -- a presentation
Andreia Bento
Diário de uma visita às terras do norte
Diary of a voyage to the north

4. TEATRO PARA GENTE NOVA. Três perspectivas Finn Iunker, Edward Bond, Connections/ PANOS

4. THEATRE FOR THE YOUTH. Three perspectives Finn Iunker, Edward Bond, Connections/ PANOS

a. Finn Iunker

Conversa com / A talk with FINN IUNKER
AS CRIANÇAS NÃO FAZEM PARTE DA ARTE INSTITUCIONAL
Children are not part of institutional art

b. Edward Bond

Conversas com / Talks with António Fonseca, Rita Durão e Tónan Quito
4º período -- o do prazer
4th period -- the pleasant one
Edward Bond
A Criança Dramática
The dramatic child
***
Excertos do programa do espectáculo Dia de Marte
Texts from the Dia de Marte programme

c. Connections/ PANOS

Francisco Frazão
Nós cá, na Culturgest -- PANOS -- palcos novos palavras novas
We at Culturgest -- PANOS -- new stages new words
Miguel Castro Caldas
Seminário PANOS 2006 -- REPORTAGEM COM UM PÉ LÁ DENTRO
PANOS 2006 -- With a foot inside the door
Lilás de / Lilla by Jon Fosse
Uma peça para adolescentes
A play for teenagers
Conversa com Fausto Paravidino
Pôr jovens a falar com outros jovens
Get the youngsters speaking with other youngsters
Fausto Paravidino
Textos: Amendoins
Texts: Peanuts


 

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In the EU we (mis)trust: On the road to the EU elections

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William E Scheuerman
Civil disobedience for an age of total surveillance
The case of Edward Snowden

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Earlier civil disobedients hinted at our increasingly global condition. Snowden takes it as a given. But, writes William E. Scheuerman, in lieu of an independent global legal system in which Snowden could defend his legal claims, the Obama administration should treat him with clemency. [more]

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A finger pointing at the moon

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Our language is our literary destiny, writes Olga Tokarczuk. And "minority" languages provide a special kind of sanctuary too, inaccessible to the rest of the world. But, there again, language is at its most powerful when it reaches beyond itself and starts to create an alternative world. [more]

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The recent publication of the private diary of Witold Gombrowicz provides unparalleled insight into the life of one of Poland's great twentieth-century novelists and dramatists. But this is not literature. Instead: here he is, completely naked. [more]

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