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09.05.2008
Jonathan Barnes, Myles Fredric Burnyeat, Raymond Geuss, Barry Stroud

Modes of philosophizing

A round table debate

Should philosophy have something to say to non-philosophers? Should it be pursued only by those trained in philosophy? And should analytic philosophy reject continental philosophy or recognize it as another "mode of philosophizing"? [ more ]

08.05.2008
Rasa Balockaite

Lithuania in Europe, Europe in Lithuania

07.05.2008
Chris Reynolds

May '68: a contested history

06.05.2008
Francesc Xavier Rubert de Ventós, Daniel Gamper, Mercè Rius

"If I don't say what I think, what's the point of being mad?"

05.05.2008
Karl Schlögel

Archipelago Europe


New Issues


09.05.2008

Esprit | 5/2008

Autour de 1968 : Années utopiques, années parasites ? [Around 1968: Years of utopia or years of freeloading?]
06.05.2008

Ord&Bild | 2/2008

06.05.2008

Mittelweg 36 | 2/2008

17. Jahrgang April / Mai 2008

Eurozine Review


29.04.2008
Eurozine Review

The centre is everywhere

"Arche" looks warily at the Belarusian thaw; "Magyar Lettre" gets to the heart of the central European city; "Kulturos barai" criticizes the culture of groceries; "Fronesis" takes counsel on the "unhappy marriage" between feminism and the Left; "A Prior" looks at monuments that won't melt into air; "Revista Crítica" sees the political potential of bio-art; "Critique & Humanism" analyzes neophilia and neophobia; "Dialogi" lashes out at the Slovenian press; and "Glänta" is missing links.

15.04.2008
Eurozine Review

A mother since birth?

01.04.2008
Eurozine Review

Free minds before free speech

11.03.2008
Eurozine Review

Hannah Arendt on '68

19.02.2008
Eurozine Review

An acronym for the homeless


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Eurozine Gallery
Leonhard Lapin

Suprealism

Eurozine Gallery Estonian artist Leonhard Lapin's work mirrors the "suprealist world", where art is packaged for consumer culture. "Suprealism brings popular kitsch into the art gallery and high culture to the masses; it introduces into art the naivety of the producer of kitsch while retaining the elitism of the professional artist." [ more ]

06.07.2007

Read also Leonhard Lapin's suprealist Manifesto. [ more ]

 

Cecilia Parsberg

Cecilia Parsberg

The wall

Since 2003, graffiti artists worldwide have been leaving their marks on the Palestinian side of the demarcation wall being built between Palestinian and Israeli territory. Swedish artist Cecilia Parsberg's photographs in the Eurozine Gallery record what she calls "an international multitude, a writing-carpet". [ more ]

30.05.2006
Cecilia Parsberg

Networking on the wall

Palestinian artists and cultural workers talk about the "art" drawn on the wall demarcating Palestinian and Israeli territory. Their opinions are revealing of the wall's significance in the Palestinian experience and the function of "network as resistance". [ more ]

30.05.2006

 

Josef Schützenhöfer

Josef Schützenhöfer

Art comes from labour

From 27 April to 29 May 2006, 24 oil paintings by Josef Schützenhöfer were on display on the facade of Rembrandtstraße 31 in Vienna and in the Eurozine Gallery. For over ten years, Schützenhöfer has worked with big-format series concerned with industrial workers, the conditions they work under, and the products of their labour. [ more ]

27.04.2006
Klaus Zeyringer

The social is not abstract

Josef Schützenhöfer's "Social Painting" and the provocation of the figurative

Residual authoritarianism and social inequality are both a target and a spur in the paintings of Josef Schützenhöfer. Drawing on (art) history and contemporary imagery, they articulate an original realist aesthetic. [ more ]

27.04.2006
 

Mircea Stanescu

Mircea Stanescu

Airbag

Mircea Stanescu opened the Eurozine Gallery with an exhibition of elusive snapshots. [ more ]

03.10.2005
Hans Rainer Sepp

In the heart of Romania

Mircea Stanescu's photo series "Airbag"

"Anyone travelling irony's winding path can escape the irreal, as long as they take an airbag for protection." Allusion and occlusion in images of the Romanian everyday. [ more ]

03.10.2005
 

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