Eurozine Authors

Latest Articles


06.10.2008
Daniela Strigl

Literary perspectives: Austria

Anything but a "German appendix"

Austrian novelists are still referred to as Germans despite recent critical and commercial success. From the new narrative "miracle" to the darkly humorous "writer's novel", Daniela Strigl finds a contemporary Austrian scene at the top of its game. [Lithuanian version added] [ more ]

06.10.2008
Elemér Hankiss

Doom and gloom

03.10.2008
Eurozine News Item

Eurozine conference held in Paris

24.09.2008
Samuel Abrahám

Being part of the gang

24.09.2008
Gaby Zipfel

Three strokes of luck


New Issues


06.10.2008

Osteuropa | 8-10/2008

Impulse für die Gegenwart [Impulses for the present]
24.09.2008

2000 | 7-8/2008

Eurozine Review


16.09.2008
Eurozine Review

Graphic and explicit

"New Humanist" watches the Religious Right get passionate about sex; "Sens Public" reads up on the US elections; "Blätter" stares into the abyss of prevention; "Le Monde diplomatique" (Berlin) calls CCTV a fiasco; "Dilema veche" sees welfare go to the dogs; "Le Monde diplomatique" (Oslo) slates EU immigration policies; "Ny Tid" reports on a new edition of diplo; "Arena" describes the dark sides of Scandinavian social engineering; "Revolver Revue" worries about mass media and memory; and "Merkur" satisfies our curiosity.

02.09.2008
Eurozine Review

The enzyme of freedom

12.08.2008
Eurozine Review

Why should I fill my pack with stones?

29.07.2008
Eurozine Review

Ready... steady... pray!

08.07.2008
Eurozine Review

Plan B or not to be


http://xwords.fr
http://www.esf2008.org/
http://translate.eipcp.net/
http://www.monde-diplomatique.de/
http://www.monde-diplomatique.de/atlas

My Eurozine


If you want to be kept up to date, you can subscribe to Eurozine's rss-newsfeed or our Newsletter.

Authors

Ales Merenus

(b. 1979) is a postgraduate student at the Faculty of Arts, Masaryk University in Brno, Czech Republic.



Eurozine Articles


Ales Merenus

Is March still the Month of Books?

The "Month of Books" was introduced in Czechoslovakia in 1955 and predominantly served as a propaganda tool. Does this leftover from communist cultural policy still have a place in the cultural life of the Czech Republic? [more]

29.03.2007



powered by publick.net