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04.07.2008
Rámon Grosfoguel

Transmodernity, border thinking, and global coloniality

Decolonizing political economy and postcolonial studies

Postmodernism as an epistemological project still reproduces a particular form of coloniality. A decolonial perspective requires a broader canon of thought that would require taking seriously the epistemic insights of critical thinkers from the global South. [ more ]

03.07.2008
Tomas Kavaliauskas

The non-efficient citizen

01.07.2008
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Richard Rorty

Democracy and philosophy

27.06.2008
Ivaylo Ditchev

Mobile citizenship?


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04.07.2008

Multitudes | 33 (2008)

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03.07.2008

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Eurozine Review


24.06.2008
Eurozine Review

We, the President

"Le Monde diplomatique" (Berlin) enjoys the view from Slovenia's presidential balcony; "Krytyka" debates genocide; "Osteuropa" compiles a green book on eastern Europe; "Vikerkaar" revisits the Bronze Soldier debate; "Merkur" is wary of the Left's use of opinion polls; "Roots" poses the Macedonian question; "L'Homme" thematizes caring and fighting women; and "Esprit" watches the world in a hurry.

03.06.2008
Eurozine Review

Olympic indifference

20.05.2008
Eurozine Review

Misunderstanding '68

29.04.2008
Eurozine Review

The centre is everywhere

15.04.2008
Eurozine Review

A mother since birth?


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Authors

Pedro Almodovar

(b.1951 or 1949, he keeps his exact birthdate secret, in Cazalda de Calatrava) moved to Madrid at age 18 and quickly became drawn into the Spanish capital's underground scene.

Here he also started making short movies with a Super 8 camera and so came into contact with some of the key figures who would shape Madrid's "Movida" - a short but intense outburst of optimism and creative frenzy. Finally he managed to scrape together enough funding for his first full-length feature film, Pepi, Luci, Bom y otras chicas del montón, released in 1980, which already bore the unmistakable Almodóvar hallmarks.

Almodóvar's position as the leading figure in Spain's new generation of film-makers was made with the films that followed: Laberinto de Pasiones ("Labyrinth of Passions", '82); Entre Tinieblas ("Dark Habits", '83) and his first big hit, ¿Qué he hecho yo para merecer esto? ("What have I done to deserve this?"), released in 1985. Almodóvar received an Oscar nomination for best non-English language film and international recognition with Women on the Verge of a Nervous Breakdown but he eventually won the Oscar with his acclaimed Todo Sobre Mi Madre ("All About My Mother"), chosen as Best Foreign Film in the March 2000 edition of the Academy Awards. Its success also brought ever more tempting offers from Hollywood. In the end, however, Almodóvar decided to stick to Spain and Europe for his next film.

Almodóvar has two finished scripts, both written by himself, called Habla Con Ella and La Mala Educacion, the latter set in a boys' school runs by priests during the Franco era (a subject the director is familiar with). Habla Con Ella is currently his most recent feature.



Eurozine Articles


Pedro Almodovar

Location

Talk to Her: The Set from the Viewpoint of the Director

Pedro Almodóvar's thoughts on photography and the differences between photos and pictures in motion. [more]

04.09.2002



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