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23.05.2012
Eurozine Review

A protest of Scrooges

"Kulturos barai" talks to Daniel Chirot about modernity, crisis and ideology; "NZ" plots the new Russian class-consciousness; "Le Monde diplomatique" (Oslo) asks which way the middle class will swing; "Wespennest" explains what anarchism can do for you; "Dilema Veche" recalls better days for Romanian journalism; "Reset" abandons print for web; "Letras Libres" reveals the political Borges; "dérive" rescues the bungalow from historical oblivion; and "Vikerkaar" profiles Estonian situationist duo Johnson & Johnson. [ more ]

22.05.2012
Daniel Chirot, Almantas Samalavicius

Ideology never ends

22.05.2012
Anna Aslanyan, Stewart Home

Moving the goalposts

21.05.2012
Jacques Rupnik

The euro crisis: Central European lessons

21.05.2012
Kenan Malik

To name the unnameable


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22.05.2012

Le Monde diplomatique (Oslo) | 5/2012

Quo vadis, middelklassen? [Quo vadis, middle class?]

Eurozine Review


23.05.2012
Eurozine Review

A protest of Scrooges

"Kulturos barai" talks to Daniel Chirot about modernity, crisis and ideology; "NZ" plots the new Russian class-consciousness; "Le Monde diplomatique" (Oslo) asks which way the middle class will swing; "Wespennest" explains what anarchism can do for you; "Dilema Veche" recalls better days for Romanian journalism; "Reset" abandons print for web; "Letras Libres" reveals the political Borges; "dérive" rescues the bungalow from historical oblivion; and "Vikerkaar" profiles Estonian situationist duo Johnson & Johnson.

09.05.2012
Eurozine Review

Sudden and slow-acting poisons

18.04.2012
Eurozine Review

Not a Prospero in sight

21.03.2012
Eurozine Review

To hell in a handbasket



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Reinventing Europe

Eurozine has expanded the scope for bringing together intellectuals from eastern and western Europe – a concern as relevant today as it was directly after 1989, writes Transit managing editor Klaus Nellen.

"Poland, that is to say, nowhere"
Alfred Jarry, Ubu Roi

After the Yalta Conference, eastern European countries were subsumed under the term "Eastern Bloc" and quickly disappeared from the western field of vision. In the West, the political division of Europe was accepted as eternal: Yalta seemed to be the a priori not only for politics, but also for history-writing and aspirations for the future.

Network veterans look back


When a handful of editors of European Cultural Journals first got together in 1983, they could not have imagined that the network they had initiated would still be going strong 25 years later. Network veterans look back on the history of a community that has endured.[ more ]

Samuel Abrahám
Being part of the gang
George Blecher
Neither an editor nor a European
Olivier Corpet
Editors of all countries
Walter Famler
Fin de Siécle, the Moscow agreement, and the dawn of the twenty-first century
Klaus Nellen
Reinventing Europe
Johan Öberg
Thesis, antithesis, prosthesis
Gaby Zipfel
Three strokes of luck
The events of 1989 swept this order aside: what for so long had been deemed unalterable revealed itself to be a monstrous anachronism. The continuum of postwar history had been exploded: Europe had re-entered history, relationships that had been broken since 1945 reappeared. With the rediscovery of Europe and the reappropriation of a shared history and future, Europeans had to re-invent themselves. Transit wants to offer a medium for this process. It is published by the Institute for Human Sciences (IWM), founded in Vienna in 1982 as a place for academics and intellectuals from both halves of Europe to meet and exchange ideas freely. That was and still is also the idea behind Transit.

"The Iron Curtain has disappeared," ran the editorial to the first issue published in autumn 1990, "but not the traumata that the political division of Europe has wrought upon the continent: a complex network, with its differences and tensions, was cut to pieces; intellectual circulation between western and eastern Europe was interrupted. The western half repressed or dismissed this loss, while the eastern half remained painfully aware of it. What is certain is that for a long time to come, Europeans will have to live with the asynchronies, the different experiences, understandings, values and attitudes that the division of Europe has created." The intellectual milieus in the West and the East had become alienated from one another. Yet, we asked, might not this also represent an opportunity? Might not differences in thought and experience provide an opportunity for mutual revision, productive irritation?

Eurozine has expanded enormously the scope available to Transit for bringing together intellectuals from the East and the West. When Transit was first invited to attend the European Meeting of Cultural Journals in 1995, it also acted as co-organizer with Wespennest. The Vienna meeting marked a double caesura: it was the first time that eastern European journals had been invited in a systematic way and it was also the year that the www made its breakthrough. The idea was floated to use the new medium to strengthen the network.

At the latest with the EU enlargement in 2004 it became painfully apparent how much the Union lacks a comprehensive, European-wide public sphere. Eurozine has become a small model for that. For Transit, Eurozine was the logical progression in stepping up exchange between Europeans: for journals like ours, particularly in eastern Europe, Eurozine offered the chance to contribute to the self-understanding of a Europe in change.

In concrete terms: Transit articles taken by Eurozine and translated into other languages not only reach a much wider, international readership; they also, as a result of contextualization, obtain significant added value. One example: the politics of memory is a topic that has interested us from the outset, from Transit 2 (1991, "The return of history") to Transit 35 (2008, "European memory politics"). Thanks to the publication of key contributions in the Eurozine focal point "European histories", the debate conducted in our journal has attained a European dimension.

Today, after almost twenty years, the historically contingent differences between "eastern" and "western" Europe are still there, while new ones have emerged from them. The EU accession of the "new" European countries has done little to alter this – on the contrary, the resulting tensions with "old" Europe have become clearer. For that reason, it is all the more important to have media such as Eurozine where such issues can be discussed.

 



Published 2008-09-24


Original in English
© Klaus Nellen
© Eurozine
 

Focal points     click for more

The EU: Broken or just broke?

http://www.eurozine.com/comp/focalpoints/eurocrisis.html
Brought on by the global economic recession, the eurocrisis has been exacerbated by serious faults built into the monetary union. In a new Eurozine focal point, contributors discuss whether the EU is not only broke, but also broken -- and if so, whether Europe's leaders are up to the task of fixing it. [more]

European histories (2): Concord and conflict

http://www.eurozine.com/comp/focalpoints/eurohistories2.html
Broadening the question of a common European narrative beyond the East-West divide. How are contested interpretations of historical and recent events activated in the present, uniting and dividing European societies? [more]

Changing media -- Media in change

Media change is about more than just the "newspaper crisis" and the iPad: property law, privacy, free speech and the functioning of the public sphere are all affected. On a field experiencing profound and constant transformation. [more]

Support Eurozine     click for more

If you appreciate Eurozine's work and would like to support our contribution to the establishment of a European public sphere, see information about making a donation.

Editor's choice     click for more

Slavenka Drakulic
The tune of the future
Italy: old Europe, new Europe, changing Europe

http://www.eurozine.com/articles/2012-03-15-drakulic-en.html
Travelling around Italy, Slavenka Drakulic observes one kind of Europe being replaced by another. Instead of attempting to conserve the cultural past, we should accept that migration will adapt much of what we consider "European" to its own image. [more]

Klaus-Michael Bogdal
Europe invents the Gypsies
The dark side of modernity

Social segregation, cultural appropriation: the six-hundred-year history of the European Roma, as recorded in literature and art, represents the underside of the European subject's self-invention as agent of civilising progress in the world. [more]

George Prevelakis
Greece: The history behind the collapse

Greece's economic crisis has its roots in a political pact dating back to the foundation of the modern state. The threat posed to Europe by the Greek breakdown is less contagion than a wave of anti-western feeling. [more]

Debate series     click for more

Europe talks to Europe

http://www.eurozine.com/comp/europetalkstoeurope.html
Nationalism in Belgium might be different from nationalism in Ukraine, but if we want to understand the current European crisis and how to overcome it we need to take both into account. The debate series "Europe talks to Europe" is an attempt to turn European intellectual debate into a two-way street. [more]

Literature     click for more

Steve Sem-Sandberg
Even nameless horrors must be named

http://www.eurozine.com/articles/2011-09-23-semsandberg-en.html
It is high time to lift the aesthetic state of emergency that has surrounded witness literature for so long, writes Steve Sem-Sandberg. It is not important who writes, nor even what their motives are. What counts is the "literary efficiency". [more]

Literary perspectives
The re-transnationalization of literary criticism

Eurozine's series of essays aims to provide an overview of diverse literary landscapes in Europe. Covered so far: Croatia, Sweden, Austria, Estonia, Ukraine, Northern Ireland, Slovenia, the Netherlands and Hungary. [more]

Behind the headlines     click for more

Mykola Riabchuk
Tymoshenko: Wake-up call for the EU

The EU shouldn't be surprised by the Tymoshenko verdict: its support of anything nominally reformist has been perceived as acceptance of a range of repressions, argues Mykola Riabchuk. [more]

Conferences     click for more

Eurozine emerged from an informal network dating back to 1983. Since then, European cultural magazines have met annually in European cities to exchange ideas and experiences. Around 100 journals from almost every European country are now regularly involved in these meetings.
Arrivals/Departures: European harbour cities as places of migration
The 24th European Meeting of Cultural Journals
Hamburg, 14-16 September 2012

http://www.eurozine.com/comp/hamburg2012.html
Harbour cities as places of movement, of immigration and emigration, as places of inclusion and exclusion, develop distinct modes of being that not only reflect different cultural traditions and political and social self-conceptions, but also communicate how they see themselves as part of the structure that is "Europe". The 2012 Eurozine conference will explore how European societies deal variously with the cultural legacy of the "harbour city". [more]

Multimedia     click for more

http://www.eurozine.com/comp/multimedia.html
Multimedia section including videos of past Eurozine conferences in Vilnius (2009) and Sibiu (2007). [more]


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