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23.05.2012
Eurozine Review

A protest of Scrooges

"Kulturos barai" talks to Daniel Chirot about modernity, crisis and ideology; "NZ" plots the new Russian class-consciousness; "Le Monde diplomatique" (Oslo) asks which way the middle class will swing; "Wespennest" explains what anarchism can do for you; "Dilema Veche" recalls better days for Romanian journalism; "Reset" abandons print for web; "Letras Libres" reveals the political Borges; "dérive" rescues the bungalow from historical oblivion; and "Vikerkaar" profiles Estonian situationist duo Johnson & Johnson. [ more ]

22.05.2012
Daniel Chirot, Almantas Samalavicius

Ideology never ends

22.05.2012
Anna Aslanyan, Stewart Home

Moving the goalposts

21.05.2012
Jacques Rupnik

The euro crisis: Central European lessons

21.05.2012
Kenan Malik

To name the unnameable


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22.05.2012

Le Monde diplomatique (Oslo) | 5/2012

Quo vadis, middelklassen? [Quo vadis, middle class?]

Eurozine Review


23.05.2012
Eurozine Review

A protest of Scrooges

"Kulturos barai" talks to Daniel Chirot about modernity, crisis and ideology; "NZ" plots the new Russian class-consciousness; "Le Monde diplomatique" (Oslo) asks which way the middle class will swing; "Wespennest" explains what anarchism can do for you; "Dilema Veche" recalls better days for Romanian journalism; "Reset" abandons print for web; "Letras Libres" reveals the political Borges; "dérive" rescues the bungalow from historical oblivion; and "Vikerkaar" profiles Estonian situationist duo Johnson & Johnson.

09.05.2012
Eurozine Review

Sudden and slow-acting poisons

18.04.2012
Eurozine Review

Not a Prospero in sight

21.03.2012
Eurozine Review

To hell in a handbasket



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We left a deep invisible mark behind us

"What are we applauding? We are applauding Hrant, his resistance, resistances, our union, that unexpected solidarity..." Novelist Asli Erdogan describes her feelings of love and loss while marching in protest against Hrant Dink's murder.

The couple behind me turned round to look back. Then so did those on their right, in front of them, behind them... They looked in surprise, one by one, in twos. They were trying to see the back of what seemed to be an endless procession. Were there so many of us? Why had we allowed so much time to go by in a solitude that had been imposed upon us? I wished that looking back on our lives, our own lives, we had not been confronted with so many defeats, so many disappointments and disillusionments.

It was a long, silent walk. Thousands and thousands of people were slowly walking, side-by-side, under an unexpected winter sun, a luminous sky, reminiscent of spring. A compact, homogeneous crowd was filling the avenues, the streets, the squares. There were blood-red carnations. Black signs spelling out the same message in three different languages: "We are all Hrant, we are all Armenians." Hrant's face emerges above arms, above heads, an intact face, bearing no signs of aging, with his gentle, comforting smile... Thousands of people, in mourning, heartbroken, intently turned to that face with a sense of loss even deeper than if he had been one of them. Newspapers, headlines, people clapping their hands, the white dove, so alive, in front of Agos,[1] people recognizing each other and humbly greeting, heads bowed in gravity, weighed down by the assassination. It was a winter sun that we did not seem to deserve. (But who had the right to deprive anyone of that sun, be it for a single minute?) "They say it is five miles away, do you think we can walk that far?" a voice says. Another one replies: "We will make it!" We walk on, leaving a deep invisible mark behind us.

It was two or three years ago. We were in Agos on a solidarity visit and there were ten or fifteen of us, all familiar faces. "Welcome to you", he had said smiling... I had sat down in a corner and gazed at him as I drank my tea. The way he spoke of the injustice he had suffered unswervingly, his warm enthusiastic sincerity... I recognized him as a man of heart, of feelings, from head to foot, and I liked him straightaway. On that day, it seemed to me I had caught a glimpse of a solitude I could not bring myself to name.

Last Friday, I went back to Agos, my face covered with rain, soaked with his shadow. It was the first time in my life I had ever managed to chant slogans. There was also that New Year's Eve message I had sent to him eighteen days before: "Happy New Year! I wish you a Happy New Year!"

My eyes will often turn to helicopters, I don't know why, and to the birds silently flying and circling over the procession... I will walk to the sea, until I can get a glimpse of the old Istanbul... In that warm light, under this astonishingly lavish sun, on that mild January morning... I will think of Hrant, I will think of my own losses... Mourning all those I have lost, what I am to lose, all those years, those emotions... Sometimes I will join the thunder of applause, rising in successive waves... What are we applauding? We are applauding Hrant, his resistance, resistances, our union, that unexpected solidarity...

Or is it life, just life? I walk on without saying a word. It is the first time in ages I have not felt lonely. Today here we are, thousands of people overwhelmed with emotion. Each of us is a soul, each of us is a dove. A dove carrying an olive branch in its beak.

Here we are, still alive.

PS: And so am I, before it is too late, with our past as well as with our present.

 

  • [1] Istanbul's Turkish-Armenian weekly newspaper, of which Dink was editor-in-chief.


Published 2007-02-13


Original in Turkish
© Eurozine
 

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The 24th European Meeting of Cultural Journals
Hamburg, 14-16 September 2012

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Harbour cities as places of movement, of immigration and emigration, as places of inclusion and exclusion, develop distinct modes of being that not only reflect different cultural traditions and political and social self-conceptions, but also communicate how they see themselves as part of the structure that is "Europe". The 2012 Eurozine conference will explore how European societies deal variously with the cultural legacy of the "harbour city". [more]

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