Latest Articles

Lyndsey Stonebridge

No place like home

A concise history of statelessness

The twentieth century unleashed the spectre of statelessness into the world. Lyndsey Stonebridge explores how the modern history of refugees has shaped not only the lives of the stateless but also the lives, rights and securities of those who think of themselves as happily at home. [ more ]

Étienne Balibar

A new impulse – but for which Europe?

Christian Mihatsch, Benjamin von Brackel

Paris 2015: The fateful conference

Nafeez Ahmed

Safeguarding the "grey zone"

Valeria Korablyova

Pariahs and parvenus?

New Issues


Osteuropa | 5-6/2015

Zeichen der Zeit. Europas Osten in Fernost [Signs of the times. Europe's East in Far East]

Poeteka | 36 (2015)

Now and again we dream of Europe

Eurozine Review

Eurozine Review

Of technological waves and political frontiers

"Wespennest" refuses to let the machines takeover; "Letras Libres" sees citizen power as the key to a post-national European democracy; "Soundings" strikes out for a new political frontier in British politics; "Il Mulino" traces the shifting contours of the European debate on sovereignty; "Blätter" seeks ways out of the Catalan impasse; "New Eastern Europe" appeals to Europe's goodwill and openness amid refugee crisis; "Arena" reaffirms the Swedish people's overwhelming support for a humanitarian refugee policy; "Merkur" traverses the analogue-digital divide; and "Esprit" samples the paranoid style in the digital age.

Eurozine Review

Beyond imagination or control

Eurozine Review

What animates us?

Eurozine Review

If the borders were porous

Eurozine Review

That which one does not entirely possess

My Eurozine

If you want to be kept up to date, you can subscribe to Eurozine's rss-newsfeed or our Newsletter.

Share |

Mute magazine loses its funding

Mute magazine has had its grant from the Arts Council of England cut by 100 per cent as from 2012, one of over 200 "losers" in a latest round of funding cuts. Eurozine republishes a statement from the Mute editors here.

Eurozine partner Mute (UK) has had its grant from the Arts Council of England (ACE) cut by 100 per cent as from 2012. Mute was among the 200 or so "losers" in the new funding round, in which overall funding dropped by 15 per cent. The ACE's own budget has been cut by 30 per cent over the next four years.

The Mute editors have published a statement intended to prompt a broader debate on their website about cuts across the arts and society. We republish parts of the statement here:

"We regard the process of being placed in competition with other arts organisations as poisonous and distracting: while we will privately question the sizeable uplifts granted to large, established organisations (which, in the greater scheme of things, need further funding about as urgently as Paris Hilton needs another handbag), in the end we recognise it as a familiar part of the divide-and-rule principle that has long marked the operations of support agencies like ACE, where a chronic reliance on the parent body for the basic apparatus of organisational reproduction nurtures fear among the 'dependents' – slowly but surely stripping them of all sense they can do anything for themselves, let alone together... The spectacle of slavish gratitude for the spoils of public funds, in which even organisations cut or killed felt compelled to reiterate the basic tenets of ACE's funding paradigm (excellence, innovation, global leadership and creativity), were truly depressing in this regard – not one voice standing out for offering a different vision or lexicon of practice."

"To be a 'winner' in the arts variant of this competition (and that means those who, as The Guardian dubbed it, 'won big'; not the hundreds kept on on a shoestring), several kinds of compliance are required. Firstly, a near religious belief in the power of art to 'deliver' personal transformation. Second, a normative and by now entirely standardised model of art-organisational development, where success is measured via the ability to diversify funding sources (via trading activities, rights management, sponsorship, philanthropy and a variety of non-public sources), have 'reach and impact' (loose catch-alls combining audiences, media reception, influence), and offer 'engagement' – all of which, it is reiterated, can only be achieved by bodies in possession of larger executive boards, which have represented on them 'experts' from the realms of Finance, Legal, Development and Artistic Vision, and who watch Income and Expenditure lines like hawks, assuring they mitigate risk, execute their mission and stay on a number of targets, as these encompass financial, audience and strategic partnership projections. As Mute – and many others, such as the Scottish based Variant magazine (another 'loser' of late) – has attempted to discuss in a series of articles stretching back decades, the backdoor this structure has offered to an entirely corporatised version of art, wherein genuine diversity and antagonism is replaced by superficially different versions of doing the same thing (and many platforms for critical discussion gradually desist from analysing culture as a whole to discussing the ins, outs, rights and wrongs of particular art forms), is one of the great untold stories of mainstream contemporary culture."

"ACE's decisions reflect a presumption digital has been 'dealt with' by conceiving of it as integrated in routine organisational development processes, rather than demanding to be explored as a highly self-reflexive area of work with a long and rich history linking into video, performance, independent publishing, installation art, software development, literature and more. Given the consolidation, surveillance and privatisation happening in the digital realm as we speak, now seems exactly the wrong time to be making such a move. The fact that ACE (and partner organisations like the BBC) are seeking to align themselves with digital innovation and broadcasting at exactly the same time just demonstrates further ignorance and shortsightedness."

Read the full statement


Published 2011-04-04

Original in English
© Eurozine

Focal points     click for more

The politics of privacy
The Snowden leaks and the ensuing NSA scandal made the whole world debate privacy and data protection. Now the discussion has entered a new phase - and it's all about policy. A focal point on the politics of privacy: claiming a European value. [more]

Beyond Fortress Europe
The fate of migrants attempting to enter Fortress Europe has triggered a new European debate on laws, borders and human rights. A focal point featuring reportage alongside articles on policy and memory. With contributions by Fabrizio Gatti, Seyla Benhabib and Alessandro Leogrande. [more]

Russia in global dialogue
In the two decades after the end of the Cold War, intellectual interaction between Russia and Europe has intensified. It has not, however, prompted a common conversation. The focal point "Russia in global dialogue" seeks to fuel debate on democracy, society and the legacy of empire. [more]

Ukraine in focus
Ten years after the Orange Revolution, Ukraine is in the throes of yet another major struggle. Eurozine provides commentary on events as they unfold and further articles from the archive providing background to the situation in today's Ukraine. [more]

Eurozine BLOG

On the Eurozine BLOG, editors and Eurozine contributors comment on current affairs and events. What's behind the headlines in the world of European intellectual journals?
Victor Tsilonis
Greek bailout referendum, Euro Summit, Germope
Victor Tsilonis of "Intellectum" (Greece) comments on recent developments in the Greek crisis: the short-lived euphoria of the 5 July referendum, Alexis Tsipras's subsequent "mental waterboarding", and the outlook for a German-led Europe. [more]

Time to Talk     click for more

Time to Talk, a network of European Houses of Debate, has partnered up with Eurozine to launch an online platform. Here you can watch video highlights from all TTT events, anytime, anywhere.
Neda Deneva, Constantina Kouneva, Irina Nedeva and Yavor Siderov
Does migration intensify distrust in institutions?
How do migration and institutional mistrust relate to one another? As a new wave of populism feeds on and promotes fears of migration, aggrandising itself through the distrust it sows, The Red House hosts a timely debate with a view to untangling the key issues. [more]

Support Eurozine     click for more

If you appreciate Eurozine's work and would like to support our contribution to the establishment of a European public sphere, see information about making a donation.

Vacancies at Eurozine     click for more

There are currently no positions available.

Editor's choice     click for more

Timothy Snyder
Europe and Ukraine: Past and future
The history of Ukraine has revealed the turning points in the history of Europe. Prior to Ukraine's presidential elections in May 2014, Timothy Snyder argued cogently as to why Ukraine has no future without Europe; and why Europe too has no future without Ukraine. [more]

Literature     click for more

Karl Ove Knausgård
Out to where storytelling does not reach
To write is to write one's way through the preconceived and into the world on the other side, to see the world as children can, as fantastic or terrifying, but always rich and wide-open. Karl Ove Knausgård on creating literature. [more]

Jonathan Bousfield
Growing up in Kundera's Central Europe
Jonathan Bousfield talks to three award-winning novelists who spent their formative years in a Central Europe that Milan Kundera once described as the kidnapped West. It transpires that small nations may still be the bearers of important truths. [more]

Literary perspectives
The re-transnationalization of literary criticism
Eurozine's series of essays aims to provide an overview of diverse literary landscapes in Europe. Covered so far: Croatia, Sweden, Austria, Estonia, Ukraine, Northern Ireland, Slovenia, the Netherlands and Hungary. [more]

Debate series     click for more

Europe talks to Europe
Nationalism in Belgium might be different from nationalism in Ukraine, but if we want to understand the current European crisis and how to overcome it we need to take both into account. The debate series "Europe talks to Europe" is an attempt to turn European intellectual debate into a two-way street. [more]

Conferences     click for more

Eurozine emerged from an informal network dating back to 1983. Since then, European cultural magazines have met annually in European cities to exchange ideas and experiences. Around 100 journals from almost every European country are now regularly involved in these meetings.
Law and Border. House Search in Fortress Europe
The 26th European Meeting of Cultural Journals
Conversano, 3-6 October 2014
Eurozine's 2014 conference in southern Italy, not far from Lampedusa, addressed both EU refugee and immigration policies and intellectual partnerships across the Mediterranean. Speakers included Italian investigative journalist Fabrizio Gatti and Moroccan feminist and Nobel Peace Prize nominee Rita El Khayat. [more]

Multimedia     click for more
Multimedia section including videos of past Eurozine conferences in Vilnius (2009) and Sibiu (2007). [more]

powered by