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A protest of Scrooges

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Ideology never ends

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Moving the goalposts

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The euro crisis: Central European lessons


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A protest of Scrooges

"Kulturos barai" talks to Daniel Chirot about modernity, crisis and ideology; "NZ" plots the new Russian class-consciousness; "Le Monde diplomatique" (Oslo) asks which way the middle class will swing; "Wespennest" explains what anarchism can do for you; "Dilema Veche" recalls better days for Romanian journalism; "Reset" abandons print for web; "Letras Libres" reveals the political Borges; "dérive" rescues the bungalow from historical oblivion; and "Vikerkaar" profiles Estonian situationist duo Johnson & Johnson.

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Sudden and slow-acting poisons

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Not a Prospero in sight

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To hell in a handbasket



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Summary for Kulturos barai 3/2009


Timothy Snyder
Balancing the books

Sixty years and more after the end of WWII, eastern European experiences of subjugation are often glossed over. This creates misunderstandings that could be avoided by an awareness of a common European history. Solidarity rather than national prejudice would motivate public opinion on matters of European politics.

Isolde Charim
Historical myths new and old

Surrounding the sixtieth anniversary of WWII were arguments that the suffering of eastern Europe goes unacknowledged. By implication, the memory of the Holocaust is a hegemonic discourse within the EU, rather than its binding principle. Here, a new myth is in the making: victim-hood divorced from political context.

Algimantas Grazulis
The protection of the Lithuanian manor house heritage – a constitutional duty for society

The architect Algimantas Grazulis claims that we should establish a network of civic and state government institutions and create a mixed coordinating council to protect and rehabilitate the heritage of manor-houses. But the system of civic competence (of rights, functions, etc.) is not yet drafted; more than that – society lacks an understanding of its necessity. But the essence is the same. Formerly, manor houses were ruled and developed by nobility, however now it is the duty of present-day society. Continued from issue no 2.

Almantas Samalavicius
The curse of Vilnius' Versailles

Antakalnis – once an extremely picturesque suburban area in the seventeenth century – became a place where Lithuanian nobility set out to build their residences modeled on the Italian palazzo type. Sluskai palace, built on the bank of the river Neris, is one of these structures that survives to the present day. Samalavicius discusses its present shape in an urban setting and the possibility of reviving the palace as one of the finest examples of Lithuanian Baroque residential buildings.

Kostas Kaukas
Uprising against uprising continues

Notes on the article by Vygantas Vareikis, "The occupation of Klaipeda region: Documents against myths" (Kulturos barai, issue no 2). This is not the first attempt to negate the uprising of 1923. An uprising against that uprising started immediately after the victory, and was continued by Polish polonists, German Nazis and Russian Bolsheviks. At the beginning of independence, some Lithuanian historians set out to continue this march.

Kestutis Sapoka
How many times did postmodernism "end"?

Polemical notes on the new concept of altermodernism suggested by Nicolas Bourriaud. It seems like the French theorist and curator is obsessed by the passion to create "immortal", common terms of art. I will try to provide a hypothesis for discussion of one more new coinage, that Bourriaud has ambitiously set out to legitimate, namely altermodern or altermodernism. The Tate triennial was held on this occasion and a book was published in which phenomenon of altermodernism is presented as something which really exists.

Max Alhau
Poems

Translated from French by Tomas Taskauskas.

Helmutas Sabasevicius
From heaven to hell

At the end of February, the international theatre festival Syrens and national programme Vilnius – Cultural Capital of Europe 2009 presented the newest trilogy by theatre director and set designer Romeo Castellucci (b. 1960) and his troupe Societas Raffaello Sanzio from Cezen (Italy) Hell. Purgatory. Heaven, created while freely interpreting Dante Alighieri's Divine Comedy. Sabasevicius discusses the brave visions and ideas of this master of contemporary theatre.

An important event in contemporary music, ISCM World Music Days/Gaida 2008, was held in Vilnius in October and November 2008
It was widely discussed beforehand, however there were surprisingly few comments after it was over. Thus, Kulturos barai publishes texts by musical critics and editors of musical journals: Gisela Gronmeyer (co-editor of German MusikTexte-Zeitschrift fur Neue Music), Jan Topolski (Polish journal of new music Glissand) and Andreas Engstrøm (Swedish new music journal Nutida Music and editor of ISCM World New Music Magazine) where the trends and programmes of the Vilnius festival are discussed as well as insights into contemporary Lithuanian academic music are provided.

About the meaning behind the sound
Musicologist Algirdas Jonas Ambrazas talks to Vita Gruodyte about the contemporary aspects of music, as well as a new role for musicologists. Kestutis Sapoka
Flood, sinking, distribution

Review of an exhibition by the German artist Reiner Splitt in Pamenkalnis Gallery.

Zecharia Plavin
The language of conscience

From the letters to musicologist Edmundas Gedgaudas. Zecharia Plavin, basing himself on an example by composer Karl Amadeus Hartmann, discusses the consciences of artists and art. It was discovered after WWII that Hartmann as the only one among the talented German composers did not collaborate with the Nazi regime. He remained faithful to freedom all his life. However, West Germany changed. It stopped looking within itself for the roots of historical humanism. Now everyone is urged to construct his own narrative and call it his own private conscience. Conscience has become a clumsy burden. This new version of conscience is so widespread that it is perfectly well accepted and we will need a shock to change it.

Irena Aleksaite
Even in step with a cock...

Thoughts after the Seagull by Rimas Tuminas and his pupils. "Saturday morning, as always, I listened to Culture Week on the radio. Director Rimas Tuminas was speaking about how he feels in Moscow, at the J. Vakchtangov theatre, where he works as its supervisor. I felt that the director's artistic position became clearer, though he did not mention his most successful productions, especially Troilus and Cressida by William Shakespeare, a play after which he was proclaimed the best director in Moscow. I was even more entranced when he spoke about Seagull...

Algirdas Patackas
About dew and the Holy Grail

The mystery of the Holy Grail is perhaps the most popular theme in mystic literature, created in the early Middle Ages from the apocryphal gospel of Nicodemus (IV-V A. D.). This theme in Christian tradition exists like a parallel text that reflects a rather long and complicate period – the shift from pagan times to Christianity. We can also find archaic footsteps, other than Celtic in Baltic, pre-Indo-European culture and hermeneutics of dew.

From the letters of diplomat Stasys Lozoraitis, written 1940-1941
Stasys Lozoraitis senior (1898-1983) was one of the most outstanding diplomats of modern Lithuania. His diplomatic biography is split in two – The first covers the period until 1940, the other the time which followed. The letters were written to his colleagues and friends after Lithuania lost its independence. Prepared for publishing by Rimantas Morkvenas. Continued from issue no 2.

Vygantas Vareikis
The loss of the Klaipeda region: between illusions and Realpolitik

Seventy years have passed since Klaipeda region was taken from Lithuania and it seems one can draw certain conclusions. However, the question whether we had to resist Hitler and thus bring danger to Lithuania's statehood or to proceed like we did in March 1939 is not yet solved. The first part of the study.

Mykolas Karciauskas
From the meetings with poet Eduardas Miezelaitis

"While looking through notes written over some ten years while in hospital, I was hesitant about whether they should be made public. Sometimes it seemed as if all these scrupulously taken notes had no value and meaning. But maybe they gain meaning when someone else reads them, trying to find out meanings or images, hidden symbols and conflicts?" The publication consists of authentic thoughts by Lithuanian poet Eduardas Miezelaitis about the past and the present.

Valdemaras Klumbys
A glance from above at the Soviet period

Valdemaras Klumbys, in reviewing the book Nenutrukusi styga (String that Was Not Broken) by Nerija Putinaite, notes that the general picture of the Soviet times remains unconvincing. It is like looking down from above and the author has failed to grasp the essence the Soviet era.

Krescencija Surkute
Ironical essay on Lithuania's cultural and political life


 



Published 2009-03-31


Original in
Contributed by Kulturos barai
© Kulturos barai
© Eurozine
 

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The EU: Broken or just broke?

http://www.eurozine.com/comp/focalpoints/eurocrisis.html
Brought on by the global economic recession, the eurocrisis has been exacerbated by serious faults built into the monetary union. In a new Eurozine focal point, contributors discuss whether the EU is not only broke, but also broken -- and if so, whether Europe's leaders are up to the task of fixing it. [more]

European histories (2): Concord and conflict

http://www.eurozine.com/comp/focalpoints/eurohistories2.html
Broadening the question of a common European narrative beyond the East-West divide. How are contested interpretations of historical and recent events activated in the present, uniting and dividing European societies? [more]

Changing media -- Media in change

Media change is about more than just the "newspaper crisis" and the iPad: property law, privacy, free speech and the functioning of the public sphere are all affected. On a field experiencing profound and constant transformation. [more]

Support Eurozine     click for more

If you appreciate Eurozine's work and would like to support our contribution to the establishment of a European public sphere, see information about making a donation.

Editor's choice     click for more

Slavenka Drakulic
The tune of the future
Italy: old Europe, new Europe, changing Europe

http://www.eurozine.com/articles/2012-03-15-drakulic-en.html
Travelling around Italy, Slavenka Drakulic observes one kind of Europe being replaced by another. Instead of attempting to conserve the cultural past, we should accept that migration will adapt much of what we consider "European" to its own image. [more]

Klaus-Michael Bogdal
Europe invents the Gypsies
The dark side of modernity

Social segregation, cultural appropriation: the six-hundred-year history of the European Roma, as recorded in literature and art, represents the underside of the European subject's self-invention as agent of civilising progress in the world. [more]

George Prevelakis
Greece: The history behind the collapse

Greece's economic crisis has its roots in a political pact dating back to the foundation of the modern state. The threat posed to Europe by the Greek breakdown is less contagion than a wave of anti-western feeling. [more]

Debate series     click for more

Europe talks to Europe

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Nationalism in Belgium might be different from nationalism in Ukraine, but if we want to understand the current European crisis and how to overcome it we need to take both into account. The debate series "Europe talks to Europe" is an attempt to turn European intellectual debate into a two-way street. [more]

Literature     click for more

Steve Sem-Sandberg
Even nameless horrors must be named

http://www.eurozine.com/articles/2011-09-23-semsandberg-en.html
It is high time to lift the aesthetic state of emergency that has surrounded witness literature for so long, writes Steve Sem-Sandberg. It is not important who writes, nor even what their motives are. What counts is the "literary efficiency". [more]

Literary perspectives
The re-transnationalization of literary criticism

Eurozine's series of essays aims to provide an overview of diverse literary landscapes in Europe. Covered so far: Croatia, Sweden, Austria, Estonia, Ukraine, Northern Ireland, Slovenia, the Netherlands and Hungary. [more]

Behind the headlines     click for more

Mykola Riabchuk
Tymoshenko: Wake-up call for the EU

The EU shouldn't be surprised by the Tymoshenko verdict: its support of anything nominally reformist has been perceived as acceptance of a range of repressions, argues Mykola Riabchuk. [more]

Conferences     click for more

Eurozine emerged from an informal network dating back to 1983. Since then, European cultural magazines have met annually in European cities to exchange ideas and experiences. Around 100 journals from almost every European country are now regularly involved in these meetings.
Arrivals/Departures: European harbour cities as places of migration
The 24th European Meeting of Cultural Journals
Hamburg, 14-16 September 2012

http://www.eurozine.com/comp/hamburg2012.html
Harbour cities as places of movement, of immigration and emigration, inclusion and exclusion, develop distinct modes of being that communicate how they see themselves as part of the structure that is "Europe". The 2012 Eurozine conference will explore how European societies deal variously with the cultural legacy of the "harbour city". [more]

Multimedia     click for more

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Multimedia section including videos of past Eurozine conferences in Vilnius (2009) and Sibiu (2007). [more]


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