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18.05.2012
Bo Isenberg

Critique and crisis

Reinhart Koselleck's thesis of the genesis of modernity

The modern consciousness as crisis: Reinhart Koselleck's study of the origins of critique in the Enlightenment and its role in the revolutionary developments of the late eighteenth century is a work of historical hermeneutics whose relevance remains undiminished. [ more ]

16.05.2012
Claus Leggewie

Continuities denied

11.05.2012
Mykola Riabchuk

Raiders' state

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Ramón González Férriz

Talking about my generation


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Eurozine Review

Sudden and slow-acting poisons

"Mittelweg 36" re-reads Jean Améry on torture; "Free Speech Debate" takes on hate speech laws and superinjunctions; "Esprit" enters the French debate on incest; "New Humanist" says rationalism won't stop witch hunters; "Merkur" makes the case for binding quotas for women; "Wespennest" calls for more women essayists; "Osteuropa" considers the future of European security; "Lettera internazionale" decolonizes the European mind; and "Sarajevo Notebook" seeks out the golden oldies of Roma pop.

18.04.2012
Eurozine Review

Not a Prospero in sight

21.03.2012
Eurozine Review

To hell in a handbasket

07.03.2012
Eurozine Review

There's no neutrality of living



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Summary of Revolver Revue 72 (2008)


And I've inherited the clocks, and the time
to wind them in. I keep their faces
within reach of mine. Sometimes their chimes
bring memories of lighter days. Sometimes
all they can say is GONE GONE GONE.

The verses of the Maltese poet Maria Grech Ganado were translated by Petr Mikes. During a school class picture taking, five boys who are related only through their role as outsiders get in one picture; Petra Soukupová has captured their lives in the short story A Group Photo. The German writer W. G. Sebald became famous for using photographs as a part of his fiction. Radovan Charvát translated excerpts from his works, among them from his controversial lecture Luftkrieg und Literatur which deals with the question why the German post-war art evaded the topic of destruction caused by the air raids made by the Allies. A proof of one of the few period attempts to express the "inexpressible" are the texts of Inge Müller:

When I went out for water a house collapsed on me
We carried that house
A forgotten dog and I
Don't ask me how
I cannot remember
Ask the dog.

Sebald's principal themes – the passing of time and recollection of memories – are dealt with in an essay by Ivan Dubsky; The Time of the Magic Mountain.

The filmmaker and writer Martin Rysavy talks about his experiences with the choice of adequate verbal means to describe unusual experiences in an interview with Adam Gebert; Rysavy's Journeys to Siberia, "a novel that pretends to be a travel book" is about to be published by Revolver Revue. A travel essay by Lubomír Martínek about finding hidden traces continues in this issue with part two.

Petr Vanous has visited Berlin where six local artists, Andreas Hofer, Thomas Zipp, Thomas Helbig, Thilo Heinzmanna, Markus Selg, and André Butzer, have a certain theme in common, and are also all considered to be the rising stars of the Euro-Atlantic fine-arts scene.

Jan Kloss has prepared a contribution for Revolver Revue reflecting not just his visual experiences from Japan. "We enjoy small things such as how a script typeface works regardless of nationality, how it takes on, unawares, the character of the place of its origin"; Frantisek Storm reflects in his Typography Notebook on the typography designs of Anna-Louise Lorenz from Ingolstadt and Winnie Tan from Singapore who as interns "brought a new light into this summer's final exams in the room No 305 at the Academy of Arts, Architecture and Design in Prague". "What am I actually doing while drawing?" asks the Swiss artist Florian Granwehr. The graphic art of Ondrej Pribyl is mysteriously related to the work of Antonín Pribyl. Miroslav Koval presents excerpts from the work of Jirí Jílek.

Regular sections: from among the Documentarists, Adam Gebert selected Jan Sikl for this issue, in the Studios the workplaces of Jaroslav Róna are being revealed, the ReDesign studio presents its last commissioned work.

Petr Onufer introduces another figure of the American critic, Helen Vendler, who believes that "texts are a part of reality and can be explored as any other field". In the final Couleur, the Revolver Revue authors explore not only the texts but also other parts of reality brought about by contemporary cultural events.

rr

 



Published 2008-10-29


Original in Czech
Contributed by Revolver Revue
© Revolver Revue
© Eurozine
 

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