Summary of Revolver Revue 72 (2008)
And I've inherited the clocks, and the time
to wind them in. I keep their faces
within reach of mine. Sometimes their chimes
bring memories of lighter days. Sometimes
all they can say is GONE GONE GONE.
When I went out for water a house collapsed on me
We carried that house
A forgotten dog and I
Don't ask me how
I cannot remember
Ask the dog.
The filmmaker and writer Martin Rysavy talks about his experiences with the choice of adequate verbal means to describe unusual experiences in an interview with Adam Gebert; Rysavy's Journeys to Siberia, "a novel that pretends to be a travel book" is about to be published by Revolver Revue. A travel essay by Lubomír Martínek about finding hidden traces continues in this issue with part two.
Petr Vanous has visited Berlin where six local artists, Andreas Hofer, Thomas Zipp, Thomas Helbig, Thilo Heinzmanna, Markus Selg, and André Butzer, have a certain theme in common, and are also all considered to be the rising stars of the Euro-Atlantic fine-arts scene.
Jan Kloss has prepared a contribution for Revolver Revue reflecting not just his visual experiences from Japan. "We enjoy small things such as how a script typeface works regardless of nationality, how it takes on, unawares, the character of the place of its origin"; Frantisek Storm reflects in his Typography Notebook on the typography designs of Anna-Louise Lorenz from Ingolstadt and Winnie Tan from Singapore who as interns "brought a new light into this summer's final exams in the room No 305 at the Academy of Arts, Architecture and Design in Prague". "What am I actually doing while drawing?" asks the Swiss artist Florian Granwehr. The graphic art of Ondrej Pribyl is mysteriously related to the work of Antonín Pribyl. Miroslav Koval presents excerpts from the work of Jirí Jílek.
Regular sections: from among the Documentarists, Adam Gebert selected Jan Sikl for this issue, in the Studios the workplaces of Jaroslav Róna are being revealed, the ReDesign studio presents its last commissioned work.
Petr Onufer introduces another figure of the American critic, Helen Vendler, who believes that "texts are a part of reality and can be explored as any other field". In the final Couleur, the Revolver Revue authors explore not only the texts but also other parts of reality brought about by contemporary cultural events.
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Published 2008-10-29
Original in Czech
Contributed by Revolver Revue
© Revolver Revue
© Eurozine












