Latest Articles


03.07.2009
Toomas Hendrik Ilves

Who are we? Where are we?

National identity and mental geography

Over the last thousand years, Finland, Estonia, Latvia and Lithuania have had multiple identities and been members of several empires. Now, writes the President of Estonia, "we should be looking to create identities that go beyond those that history has foisted upon us". [ more ]

02.07.2009
Martin M. Simecka

Still not free

01.07.2009
Stefan Jonsson

The first man

29.06.2009
Tatiana Zhurzhenko

The geopolitics of memory

25.06.2009
Timothy Snyder

Holocaust: The ignored reality


New Issues


03.07.2009

Gegenworte | 21 (2009)

Die Wissenschaft geht ins Netz [Science goes internet]
03.07.2009

Mute | 12 (2009)

The creative city in ruins
03.07.2009

Varlik | 7/2009

Eurozine Review


24.06.2009
Eurozine Review

So what's our problem?

"Hungarian Quarterly" divines the future of the forint; "Index on Censorship" gives libel law a bad press; "Samtiden" doubts whether Norwegian police women are any freer with the hijab; "Le Monde diplomatique" (Berlin) applies the belt to Europe's cordon sanitaire; "Mittelweg 36" sees solidarity outgrow the nation; "Roots" says yes to Europe, but not at any cost; "Kulturos barai" does not dismiss the idea of a new Lithuanian Grand Duchy; "Le Monde diplomatique" (Oslo) calls the European elections a farce; "Rili" wants to keep the market out of universities; and "Fronesis" explains what 2°C means in an expertocracy.

09.06.2009
Eurozine Review

Happy birthday, Mr Habermas

26.05.2009
Eurozine Review

In monads' land

05.05.2009
Eurozine Review

Advanced profligate capitalism

21.04.2009
Eurozine Review

A kind of Tory communist



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Articles

Suprealist manifesto

"Suprealism brings popular kitsch into the art gallery and high culture to the masses; it introduces into art the naivety of the producer of kitsch while retaining the elitism of the professional artist."

Modernism emerged at the end of the nineteenth century in opposition to academic realism. It opened up the surface of appearances and represented the structure and essence of being. Often, autonomous structure prevailed and its environment was renounced; instead of rising to the spiritual order, flesh changed into a conserve. However, the masses still expect that art would has something to do with tangible substances, or at least with conceits of subconscious impulses or archetypal symbols. The man from the street expects to see in art a reflection of deceptive world. He desires nourishment for his soul and expects sentiment.

Eurozine Gallery


Current exhibition:
Leonhard Lapin
Suprealism
[Summer 2007]

Previous exhibitions:
Cecilia Parsberg
The wall
[Summer 2006]
Josef Schützenhöfer
Art comes from labour
[Spring 2006]
Mircea Stanescu
Airbag
[Autumn 2005-Spring 2006]
Modernism represents the idea purified of all superficial additions. It rejects sentiment and eventually even beauty as an attribute of modern commerce. But the dream of external superficiality and a claim to internal idea are only two related poles of the world.

Suprealism was born in 1993 at Leonard Lapin's studio as an attempt at wholeness, totality, and a unity of contradictory visual images and structures. Suprealism uses, on the one hand, popular kitsch, clothing logos, and cheap expressions; and on the other, the exclusive language of classical modernism: suprematism, neoplasticism, op art, and pop art.

Suprealism introduces to art the unmediated/naive self-expression of a producer of kitsch, while retaining the mental effort and elitism of a professional artist.

Suprealism stirs the soul, excites the senses, bringing even the secretive spirit to the public parade of impulses. Even anger about the lack of ordinariness of suprematist work is positive, because it allows the eyes to see the world afresh, in a way which unites opposites.

Suprealism corrects the relationship between "high" and "low" art, bringing popular kitsch to exhibition halls and elitist ideas to the masses.

Suprealism is environmentally sustainable art, because it puts rejected things into new – this time cultural – circulation. By reviewing in a suprealist manner the kitsch which has gathered in your homes, you sharpen your analytic senses and get rid of the chains of mass culture. If you lift physical weights, you become a culturist. If you lift spiritual weights, you become a suprealist, who is free of the bondage of things.

1996

 



Published 2007-07-06


Original in Estonian
© Leonhard Lapin
© Eurozine
 

Focal points

European histories

http://www.eurozine.com/comp/focalpoints/eurohistories.html
For solidarity to exist in the enlarged EU, an historical awareness must be developed that includes the experiences of new members. [more]

Media landscapes: Central and eastern Europe

http://www.eurozine.com/comp/focalpoints/medialandscapes.html
How Media autonomy in Europe's "newer democracies" is being inhibited by market forces and continuing political intervention. [more]

The malady of infinite aspiration?

http://www.eurozine.com/comp/focalpoints/financialcrisis.html
Sound in principle or sick at heart? Articles on the financial crisis, compiled under Durkheim's memorable phrase, "the malady of infinite aspiration". [more]

Editor's choice

Laurent Mauriac, Pascal Riché
Online journalism: Transposition or transformation?

http://www.eurozine.com/articles/2009-05-22-mauriacriche-en.html
The editors of the pioneering French politics website explain their concept for bridging the gap between print and the Internet. [more]

Literature

Andrea Zlatar
Literary perspectives: Croatia
Post-traumatic stress disorder

http://www.eurozine.com/articles/2009-03-31-zlatar-en.html
Common to new Croatian writing is the postwar experience, with marginal characters exploring tensions between individual and society. [more]

Katharina Raabe
The read expanse

http://www.eurozine.com/articles/2009-04-16-raabe-de.html
In the twenty years since the fall of communism, literature has been lifting the fog settling over the historical expanses of eastern central Europe. [more]

Conferences

Eurozine emerged from an informal network dating back to 1983. Since that time, a variety of European cultural magazines have met once a year in European cities to exchange ideas and experiences. In the meantime, approximately 100 periodicals from almost every European country have become involved in these meetings.
European histories
The 22nd European Meeting of Cultural Journals
Vilnius, 8-11 May 2009

http://www.eurozine.com/comp/focalpoints/vilnius_european_histories.html
The 22nd European Meeting of Cultural Journals took place in Vilnius, Lithuania, 8 to 11 May 2009. Under the heading "European Histories", the Eurozine conference explored the role of history and memory in forming new identities in a Europe in change. [more]

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