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Suprealist manifesto

"Suprealism brings popular kitsch into the art gallery and high culture to the masses; it introduces into art the naivety of the producer of kitsch while retaining the elitism of the professional artist."

Modernism emerged at the end of the nineteenth century in opposition to academic realism. It opened up the surface of appearances and represented the structure and essence of being. Often, autonomous structure prevailed and its environment was renounced; instead of rising to the spiritual order, flesh changed into a conserve. However, the masses still expect that art would has something to do with tangible substances, or at least with conceits of subconscious impulses or archetypal symbols. The man from the street expects to see in art a reflection of deceptive world. He desires nourishment for his soul and expects sentiment.

Eurozine Gallery


The Eurozine Gallery features visual artists from all over Europe with series of photographs, paintings or other types of art works.

Current exhibition:
Semih Poroy
Without words
[Autumn/Winter 2010-2011]

Previous exhibitions:
Barbara Holub
Three chapters for a future of the unplanned
[Summer 2010]
Anna Meyer
Heisszeit
[Spring 2010]
Daniel Knorr
Stolen history (and other projects)
[Autumn 2009]
Leonhard Lapin
Suprealism
[Summer 2007]
Cecilia Parsberg
The wall
[Summer 2006]
Josef Schützenhöfer
Art comes from labour
[Spring 2006]
Mircea Stanescu
Airbag
[Autumn 2005-Spring 2006]
Modernism represents the idea purified of all superficial additions. It rejects sentiment and eventually even beauty as an attribute of modern commerce. But the dream of external superficiality and a claim to internal idea are only two related poles of the world.

Suprealism was born in 1993 at Leonard Lapin's studio as an attempt at wholeness, totality, and a unity of contradictory visual images and structures. Suprealism uses, on the one hand, popular kitsch, clothing logos, and cheap expressions; and on the other, the exclusive language of classical modernism: suprematism, neoplasticism, op art, and pop art.

Suprealism introduces to art the unmediated/naive self-expression of a producer of kitsch, while retaining the mental effort and elitism of a professional artist.

Suprealism stirs the soul, excites the senses, bringing even the secretive spirit to the public parade of impulses. Even anger about the lack of ordinariness of suprematist work is positive, because it allows the eyes to see the world afresh, in a way which unites opposites.

Suprealism corrects the relationship between "high" and "low" art, bringing popular kitsch to exhibition halls and elitist ideas to the masses.

Suprealism is environmentally sustainable art, because it puts rejected things into new – this time cultural – circulation. By reviewing in a suprealist manner the kitsch which has gathered in your homes, you sharpen your analytic senses and get rid of the chains of mass culture. If you lift physical weights, you become a culturist. If you lift spiritual weights, you become a suprealist, who is free of the bondage of things.

1996

 



Published 2007-07-06


Original in Estonian
© Leonhard Lapin
© Eurozine
 

Focal points     click for more

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http://www.eurozine.com/comp/focalpoints/eurocrisis.html
Brought on by the global economic recession, the eurocrisis has been exacerbated by serious faults built into the monetary union. In a new Eurozine focal point, contributors discuss whether the EU is not only broke, but also broken -- and if so, whether Europe's leaders are up to the task of fixing it. [more]

European histories (2): Concord and conflict

http://www.eurozine.com/comp/focalpoints/eurohistories2.html
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Support Eurozine     click for more

If you appreciate Eurozine's work and would like to support our contribution to the establishment of a European public sphere, see information about making a donation.

Editor's choice     click for more

Katajun Amirpur
Islam and democracy
The history of an approximation

http://www.eurozine.com/articles/2011-12-19-amirpur-en.html
In Iran, official revolutionary dogma has obliged "post-Islamist" philosophers to provide profound justifications for Islam's compatibility with democracy. Katajun Amirpur puts contemporary Iranian thinking on religion and politics in the context of Khomeini-era anti-westernism. [more]

Per Wirten
Where were you when Europe fell apart?

Too many Europeans have too long avoided the question of Europe, says Swedish writer Per Wirten. To prevent the EU from turning into a "post-democratic regime of bureaucrats", intellectuals need to stop mumbling and take the fear of Europe seriously. [more]

Valeriu Nicolae
Change must start from within
Roma integration: EU rhetoric and institutional reality

European member states are answerable to the European Commission regarding the integration of Roma. But what are the chances of national policies succeeding if structural anti-Roma racism exists within European institutions themselves? [more]

Debate series     click for more

Europe talks to Europe

http://www.eurozine.com/comp/europetalkstoeurope.html
Nationalism in Belgium might be different from nationalism in Ukraine, but if we want to understand the current European crisis and how to overcome it we need to take both into account. The debate series "Europe talks to Europe" is an attempt to turn European intellectual debate into a two-way street. [more]

Literature     click for more

Steve Sem-Sandberg
Even nameless horrors must be named

http://www.eurozine.com/articles/2011-09-23-semsandberg-en.html
It is high time to lift the aesthetic state of emergency that has surrounded witness literature for so long, writes Steve Sem-Sandberg. It is not important who writes, nor even what their motives are. What counts is the "literary efficiency". [more]

Literary perspectives
The re-transnationalization of literary criticism

Eurozine's series of essays aims to provide an overview of diverse literary landscapes in Europe. Covered so far: Croatia, Sweden, Austria, Estonia, Ukraine, Northern Ireland, Slovenia, the Netherlands and Hungary. [more]

Behind the headlines     click for more

Mykola Riabchuk
Tymoshenko: Wake-up call for the EU

The EU shouldn't be surprised by the Tymoshenko verdict: its support of anything nominally reformist has been perceived as acceptance of a range of repressions, argues Mykola Riabchuk. [more]

Conferences     click for more

Eurozine emerged from an informal network dating back to 1983. Since then, European cultural magazines have met annually in European cities to exchange ideas and experiences. Around 100 journals from almost every European country are now regularly involved in these meetings.
Changing media, Media in change
The 23rd European Meeting of Cultural Journals
Linz, 13-16 May 2011

http://www.eurozine.com/comp/linz2011.html
The 23rd European Meeting of Cultural Journals took place in Linz, Austria, in May 2011. Under the heading "Changing media, Media in change", the conference explored the challenges and transformations facing media in the wake of the digital revolution. [more]

Multimedia     click for more

http://www.eurozine.com/comp/multimedia.html
Multimedia section including videos of past Eurozine conferences in Vilnius (2009) and Sibiu (2007). [more]


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